From the sublime to the ridiculous, but then again, it’s nearly Halloween, and suddenly it struck me; why doesn’t someone do a reboot of The Crimson Ghost, easily one of the most memorable criminal masterminds of the 1940s American cinema. Just take a look – the guy is a natural!
Sadly, as with many Republic films, The Crimson Ghost never made it to DVD; almost nobody knows about the character except for historians. The only reason most people know about The Crimson Ghost today is because the rock and roll band The Misfits adopted the Ghost’s grim visage as their signature logo.
The original production was a 1946 serial that ran for twelve chapters, clocking in at an epic 167 minutes, completed at a total negative cost of just $161,174, which was still $23,262 over budget. Even today, adjusted for inflation, that’s only $1,940,986.60. Budget it now at say, $10,000,000. Keep the CGI down, make it simply and cheaply, use a lot of great stuntmen for the fight sequences, and you’ve got a winner. It has to be better than the recent reboot of The Green Lantern, if tackled intelligently — which is always the problem. The original played it completely straight — a reboot, just like Batman Begins, would only succeed if it did the same.
The Crimson Ghost was produced by Republic Pictures, easily the best of the classic Hollywood action studios; the director, William Witney — assisted on the dialogue scenes by Fred C. Brannon — was a master of his craft, and one of Quentin Tarantino’s favorite auteurs. The Crimson Ghost offered nonstop fight scenes, explosions, car crashes, and centered on the Crimson Ghost’s inevitable plan for world domination, which he very nearly pulled off.
Hey, why doesn’t Tarantino do the reboot? He loves Witney’s work, and believe me, The Crimson Ghost is a prime candidate for a remake. Republic Pictures probably still holds the rights, and even today, people still remember the original with real affection. No, it isn’t Bresson or Ozu — both of whom I love, as any reader of this blog knows — it’s action filmmaking, but why not give it a try?