I’ve blogged on director William Cameron Menzies before, especially on his 1953 film Invaders from Mars, and his long and often tortured career as a pioneer set designer — most notably for the 1939 production of Gone With the Wind. But I’ve never really singled out his most ambitious film as a director, from H.G. Wells’ screenplay based on his 1933 novel, Things to Come. The large — and I do mean large — cast includes Raymond Massey, Sir Ralph Richardson, and Sir Cedric Hardwicke. To give you some idea of the size and scope of the project, just take a look at the image above.
After Fritz Lang’s Metropolis (1927), it’s arguably the most ambitious science fiction film ever made, and also one of the most prophetic, envisioning everything from giant flat screen televisions to the eventuality of another World War just a few years later. Bogged down by Wells’ insistence that both the actors and directors follow his verbose screenplay to the letter, Things to Come is nevertheless a visual tour de force, and a remarkable achievement both as a film, and as a vision of the future.
Easily available on DVD, including a 2007 version colorized by special effects wizard Ray Harryhausen — I can’t believe I’m recommending this, but it’s that good — Things to Come is essential viewing for anyone interested in science fiction, set design, world history, or the history of film. Also in 2007, Network DVD in the UK released a digitally-restored version, which to date is the longest version available anywhere in the world. The two-disc set also contains a “Virtual Extended Version” with most of the missing and unfilmed parts represented by production photographs and script extracts.