No one is denying that Mad Men is an excellent television show — I watch it faithfully, though not without apprehension given its increasingly downbeat plotlines — but who on earth would want to return to those times, or work at Sterling Cooper Draper Pryce? It’s not really an authentic vision of the ’60s anyway; take it from me — I was alive then, working at Life Magazine as a writer, and immersed in the whole ad/print culture of the era — but rather stresses the down side of everything, as though no one is having any fun at all.
Which they’re really not; Don Draper (Jon Hamm) seems tortured on all sides by regrets, conflicting loyalties, and his enigmatic past, while Peggy Olson (Elisabeth Moss) has recently departed the agency for greener fields (and who can blame her?), and poor Lane Pryce (Jared Harris) has just committed suicide over a forged check, for which Don fired him. Great! Just the sort of television one wants to relax with on a Sunday night, right before the start of the work week. As Don Draper explodes in a meeting with a prospective client, “you’re not happy! You’re not happy with anything!” And with the absolutely unprincipled Pete Campbell (Vincent Kartheiser) as a rising star in the agency, well, look out. Things are going to get even uglier, I have no doubt.
Still, I DVR it, watch it while zipping through the commercials, and think it’s far and away the best thing on television right now — there’s just one more episode this “season” as I write this, and then — apparently — only two seasons more after that. But with a definite end date in mind for the series, I can’t help but think that Elisabeth Moss is happy to escape her role as the much-put-upon Peggy for the lead in a Jane Campion miniseries, Top of the Lake. And we’ll be seeing Jared Harris as Ulysses S. Grant in Steven Spielberg’s biopic Lincoln; that footage is already in the can, as his death in Mad Men was shot last summer, but amazingly, everyone managed to keep quiet about it.
But the question remains; given the utterly hostile and desperate workplace of Sterling Cooper Draper Pryce so effectively depicted in each episode of the show, who on earth would want to work there?