Gwendolyn Audrey Foster has a fascinating piece on Pascal Laugier’s controversial film Martyrs (2008) in the current issue of Film International. Here’s the opening paragraph:
“It’s not a likable movie. Even me, myself, I hate the film.” (Pascal Laugier)
Pascal Laugier’s radically experimental horror film Martyrs (2008) is a persuasive and explosive leveling of capitalism, which is not limited to materialism, the Catholic Church, the cynical genre of torture porn, and the widespread embrace of anti-humanist postmodern irony. Martyrs joins the work of Pasolini, Bava, Bataille and other confrontational artists, including Luis Buñuel. Specifically, Martyrs recalls the eye-slitting scene in Buñuel’s Un Chien Andalou. It directly assaults viewers with both detestable visuals and agonizing sounds of pain, in an almost unbearable filmic experience of terror that rouses the even the most cynical viewer from her/his postmodern stance of superiority. Martyrs makes the viewer responsible for the reinforcement of institutionalized capitalism, particularly religion, and more specifically religion’s obsessive embrace of death, its insistence on afterlife, its abuse of women, and its concomitant obsession with martyrdom. It is also a critique of the consumer of the horror film and an astounding film in and of itself.”
You can read the rest of this excellent essay by clicking here.
Tags: Film International, French Cinema, Gwendolyn Audrey Foster, Martyrs, Pascal Laugier
