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Post Tenebras Lux (Light After Darkness)

I just got back from a research trip in New York City, where I saw a brilliant film.

I saw Post Tenebras Lux at Film Forum, and was absolutely mesmerized by the film. As Film Forum’s official notes for the film explain, “Post Tenebras Lux (‘light after darkness’) is a new autobiographical feature from acclaimed director Carlos Reygadas, winner of the Best Director prize at the 2012 Cannes Film Festival. Ostensibly the story of an upscale, urban family whose move to the Mexican countryside results in domestic crises and class friction, it’s a stunningly photographed, impressionistic psychological portrait of a family and their place within the sublime, unforgiving natural world.

Reygadas conjures a host of unforgettable, ominous images: a haunting sequence at dusk as Reygadas’s real-life daughter wanders a muddy field as farm animals loudly circle and thunder and lightning threaten; a glowing-red demon gliding through the rooms of a home; a husband and wife visiting a swingers’ bathhouse with rooms named after famous philosophers. By turns entrancing and mystifying, Post Tenebras Lux palpably explores the primal conflicts of the human condition.”

When the film was screened at Cannes, there was a near riot, and many of the audience members walked out in protest, but for the life of me, I can’t figure why. The film’s narrative is at once straightforward and filled with magical realism, as in the scene, pictured above, in which a glowing red demon silently enters a middle class house, toolbox in hand, intent on wreaking havoc in his wake. Indeed, I’ve seldom seen a film that was more accessible, and at the same time more mysterious, lingering in the memory long after the final images have faded from the screen.

Click here to read an interview with the director, Carlos Reygadas.

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About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu. Visit him at his website wheelerwinstondixon.com.

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