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“OffOn”: The Film That Changed the Language of Cinema

I have a new essay out this morning on Scott Bartlett’s revolutionary film Off/On in Cinespect.

As I note, “Sometimes it’s good to look back on cinema history and talk about the films that helped to shape the medium—films that are all too often forgotten today. Such is the case with Scott Bartlett’s landmark film OffOn (1967), which, as filmmaker Charles Levine once observed in a conversation with me, ‘changed the language of cinema.’ Something like this could only come out of the crucible of the 1960s, when everything was being called into question, and no area of experimentation was left untouched.

Made for less than $1,000, OffOn is a dazzling cinema poem, and one of the first film/video mixes in American cinema history. For most of the film’s nine-minute running time, the images are entirely abstract, until a long segment with a beating heart soundtrack gives way to a series of intensely complex geometric compositions. The film is loud, aggressive, and boldly colorful; it fuses a barrage of synthetic shapes with images taken from life (an eye, a woman dancing, a couple on a motorcycle) with abandon, and directly assaults the audience.”

You can read the rest of the essay, and see the film itself, by clicking here, or on the image above.

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About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of numerous books and more than 70 articles on film and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu.

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