. . . and it’s too bad there won’t be any more, as even the slightest of Rohmer’s film is a tonic in the oversaturated, hyper-edited CGI world of the present, harking back to a time when humanistic concerns, were more important than the latest mobile gadget. As Aaron Goldberg wrote of the film when it first appeared in the web journal Senses of Cinema, “while not highly regarded (by some) in the expansive Rohmer canon, The 4 Adventures of Reinette and Mirabelle stands as one of Rohmer’s most playful, if not hilarious features.
Filmed quickly on 16mm while Rohmer was waiting to get decent sunset shots for his sublime Le Rayon vert (1986), The 4 Adventures of Reinette and Mirabelle features mainly non-professional actors who improvised most of the witty and frank dialogue . . . Rohmer’s old-school (cinematic) ‘new wave’ chops are working in full effect here. From the shaky vérité camerawork, to long discussions about morality and art, his romantic heart is working in cruise control, delivering a film that ably stands it’s own ground.”
Added Caryn James in The New York Times, “as if making a joke about the famous talkiness of his films, Eric Rohmer’s latest work begins and ends with silence – or at least the idea of silence. In the first of the connected episodes in Four Adventures of Reinette and Mirabelle, the voluble Reinette treasures silence so much she wakes her friend Mirabelle before dawn to hear ‘the blue hour,’ which is not an hour but a second, not a sound but a brief silence between darkness and light, when the night birds stop singing and the day birds have not yet begun.
Four Adventures is more conspicuously comic, more overtly ethical, more pointed in its action than most of his recent works . . . Part of Rohmer’s genius, of course, is that he keeps creating such lives – ordinary and rarefied at once, almost but not quite beyond our grasp. No one actually lives in the world of a Rohmer film, where the name of a specific television show or rock star never mars a character’s timeless dialogue, where his characters’ heightened sense of everyday life seems absolutely adventurous.
But the deep lure of his work is the suggestion that it is possible to be as articulate or as witty or even as extravagantly morose as a Rohmer character, to stumble across those undramatic moments of perfect grace on some beach or in some meadow.”
Indeed, while the film may appear to be slight, it is in fact a resonant and uplifting work; it just seems effortless, but then again, when you’re a genius, you can knock films out like this in your sleep. But the saddest part about The 4 Adventures of Reinette and Mirabelle is that it isn’t available on DVD; there’s so much junk trolling about the web, but here’s a sublime and joyful film that really deserves a DVD release. But there is a VHS release, and since I still have a VHS player for such emergencies, I ordered one of the last copies available – used – on Amazon for about $10. You should do the same.