As the book’s website notes, “Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies.
With the assistance of thinkers such as Gilles Deleuze and Félix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth.”
As scholar Dana Polan says of Cinema and Counter-History, “once again, Marcia Landy impressively, masterfully, combines her well-known talents for broad critical reflection for trenchant close reading of individual films to produce ground-breaking theorization of cinema’s powers to both make and remake historical meaning and to counter dominant cultural representations. A far-reaching study with major insights at every turn.”
To which I can only add that when I received this volume, I devoured it, and found it to be an amazing synthesis of cultural history and theoretically ambitious connections, which pulls in films from both the past and present, foreign and domestic, to create a rich tapestry of cinematic history. A dazzling piece of work, which lingers long in the mind after you put it down – astonishing in scope, breadth, and erudition. Clearly, Landy has been working on this volume for a long time, and the result is more than worth the wait.