As Glenn Erickson of DVD Savant writes in a guest post on Steve Eifert’s excellent site Noir of The Week, “1950’s Try and Get Me! has never been an easy film to see. Its only home video release [was] a Republic Home Video VHS from 1990. [Thankfully, the film has just now been released in a superb transfer by Olive Films, which makes a business of rescuing lost classics before it's too late - so check it out.]
It’s both a socially conscious tract against lynching, and one of the most pessimistic, frightening films noir from the classic period. It encourages examination from several angles. Its director was blacklisted. It was released as The Sound of Fury late in 1950, and underwent a title change while in its initial run. No official reason is given, but the title might have been uncomfortably similar to MGM’s 1936 film Fury, which is loosely based on the same factual incident.
Not unlike Jules Dassin of Night and the City, versatile director Cyril (Cy) Endfield was just getting his career in motion when the blacklist made him unemployable in Hollywood. Endfield would later achieve success in England directing, writing or producing tough minded pictures like Hell Drivers, Zulu, Sands of the Kalahari and Zulu Dawn. Try and Get Me! was filmed on location in the Phoenix area. Unemployed Howard Tyler (Frank Lovejoy) already has one young boy. His wife Judy (Kathleen Ryan) is anxious that he finds a job soon so she can see a doctor to deliver her second child.
Demoralized by the bleak job prospects, Howard falls in with Jerry Slocum (Lloyd Bridges), a narcissistic braggart who lures him with promises of easy money: ‘Getting any other offers lately?’ Howard drives the getaway car for a series of robberies; he tells his wife that he’s found a job and begins to drink heavily. Then Jerry bullies his reluctant partner into helping kidnap the son of a wealthy local. The unstable Jerry murders the kidnapped man.
Torn by guilt and self-loathing, Howard continues to drink. He accompanies Jerry on a nightclub holiday with the loose Velma (Adele Jergens) and her mousy friend Hazel Weatherwax (Katherine Locke). Unable to keep silent, Howard breaks down in Katherine’s apartment. The secret gets out and the police close in. Howard is locked up with the now-deranged Jerry. Stirred up by alarmist newspaper headlines, a huge mob converges on the city jail. The sheriff (Cliff Clark, in one of his finest roles) can’t hold them back.
A social horror movie for depressed times, Try and Get Me! is not recommended for everybody — its emotions run high even before the crime and kidnap story gets in gear. Howard Tyler’s unemployment experience is sheer misery and humiliation, death in small doses. It hurts when his kid asks for money to go to a ball game. He can’t possibly tell his wife how hopeless things have become. The neighbors’ new television is just more evidence of Howard’s failure.
Author-screenwriter Jo Pagano indicts American society as aloof to the needs of working class citizens in economic straits — the Land of Riches doesn’t give a damn if Howard’s family goes homeless or starves. A bartender sees nothing wrong with charging Howard extra for a grade of beer he didn’t order. The situation is emasculating, especially with the preening, suppressed homoerotic Jerry showing off his muscles and asserting his superiority. The film’s key image shows Howard unable to sleep, standing in the dark staring out the window. He’s a criminal; he knows that he’ll be caught sooner or later.”