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Video: The Theatrical Experience

Thursday, December 17th, 2015

If you’re going to watch a movie, you should see it on the big screen if at all possible.

Here, in another episode of Frame by Frame, I discuss the decline in theatrical film viewing in favor of at home video on demand streaming, as used in platforms like Netflix, Hulu, Amazon and others, as DVDs fade into the distance, and theatrical screenings become a more and more rare experience. This is unfortunate, because the only way you can really see a film – and see all the detail within each shot, is on a big screen, which is the size that 90% of all films were originally made to be seen in, before the advent of television.

Now, of course, TV is fading away, as more and more people are content to watch films in their living room, and given the relative convenience and safety of seeing a film at home – as I note – who can blame them? But nevertheless, the fact remains that, as my late friend the director Roy Ward Baker once told me – and I never forgot it – “on a DVD or television, you can inspect a film, but you can’t experience it.” And it’s absolutely true, which is why seeing a film in a theater remains – after all these years – the optimal way to really see a film.

Check out the video above to find out why.

Video: Independent Filmmaking in the 21st Century

Thursday, December 17th, 2015

Here’s a brief video by Curt Bright about the difficulties facing indie filmmakers in the 21st century.

For some time now, Curt Bright and I have been creating educational videos for a UNL series called Frame by Frame, covering various aspects of film, media, and the digital world as we enter the first decades of the 21st century. In this episode, I talk about the problems facing independent creators now – most specifically, how to get their work out before the public in an oversaturated marketplace.

Where once every film had to open in a theater in order to make back its investment, now there are so many different platforms available that distributors throw their cash at those films where they have the highest degree of financial exposure, resulting in a world in which only mainstream blockbusters make it to a large audience. Here, I discuss ways to work around this, and get a more balanced view of what’s going in the world of cinema on a national and international level.

Thanks to Curt Bright, as always, for such a great job in shooting and editing these videos.

Digital Detox

Saturday, December 5th, 2015

From Gillian Brockell and The Washington Post, click here or on this image for five tips to avoid digital overload.

UNL – “No One Saw Coming” 15 Second Spot

Wednesday, November 18th, 2015

Here’s a great commercial spot for UNL – really sharp editing and sound design.

The University of Nebraska, Lincoln, where I teach, puts out a good deal of material on the various offerings of the university – which are remarkably diverse – but for me, this 15 second spot – ultra modern, brilliantly directed and edited, with an exceptionally sharp soundtrack – really stands out. It’s the work of Amanda Christi and Andrew Swenson, and asks a simple question: “will your story be like all the others? Or will you write something that no one saw coming?

The University of Nebraska–Lincoln is a top 50 public university, a member of the Big Ten, and is located in a bustling Midwestern city that’s on the rise. Top-tier education, 150 areas of study, an award-winning undergraduate research program, over 500 student organizations, and rich athletic traditions all make UNL an exciting place to be. If you make it to Lincoln, you can go anywhere.”

Kudos to the creative team behind this ad, which perfectly captures the spirit of UNL.

Lou Reed Reads Delmore Schwartz

Friday, October 23rd, 2015

Delmore Schwartz was a brilliant, if tragic American poet; Lou Reed was, at one time, his student.

As Josh Jones writes in the web journal Open Culture, “in a galloping vignette in Tablet, writer Lee Smith manages to evoke the essences of both sentimental tough guy Lou Reed and his literary mentor and hero, ‘Brooklyn Jewish Troubadour’ Delmore Schwartz. Although Schwartz’s ‘poetry is his real legacy,’ Smith writes, that rich body of work is often obscured by the fact that ‘his most famous work is a short story,’ the much-anthologized In Dreams Begin Responsibilities (1935).

It’s a story written in prose as lyrical as can be—with sentences one wants to pause and linger over, reading again and again, out loud if possible. It’s also a story in which we see ‘a direct line… between Schwartz and Reed,’ whose song Perfect Day performs a similar kind of magical cataloguing of urban impermanence. For Reed, onetime student of Schwartz at Syracuse University, ‘Delmore Schwartz is everything.’

Reed dedicated the last song, European Son, on the first Velvet Underground album to Schwartz, and wrote an eloquent forward to a reissue of Schwartz’s first collection of stories and poems, also titled In Dreams Begin Responsibilities. And just above, you can hear Reed himself read the story aloud, savoring those lyrical sentences in his Brooklyn deadpan. It’s easy to imagine Reed writing many of these sentences, such was Schwartz’s influence on him.

They shared not only common origins, but also a common sensibility; in Reed’s songs we hear the echo of Schwartz’s voice, the satirical world-weariness and the lyricism and longing. In the biographical documentary Rock and Roll Heart, Reed says that Schwartz showed him how, ‘with the simplest language imaginable, and very short, you can accomplish the most astonishing heights.’ Reading, and listening to Schwartz’s astonishing In Dreams Begin Responsibilities may help you understand just what he meant.”

I’ve always loved Schwarz’s poetry and prose, and here, Lou Reed gives an excellent reading of his work.

Five New Videos on My Amazon Author Central Page

Wednesday, October 14th, 2015

I have five new videos posted today on my Amazon Author Central site – check them out!

Amazon is the world’s largest store for everything, of course, but they started out with books, and one of their most valuable features for an author is Amazon Author Central, where authors can put up a bio, a picture, some videos, and the latest blog posts that they have. I’ve been using the service for about four years, but have never blogged on it.

Today, however, I freshened up the site with five new-to-the-page videos, including one on “The Theatrical Experience” of going to the movies, as opposed to flopping down on the couch and watching Netflix, Amazon, or just plain old cable on the family flat screen – there really is a difference. As always, these videos are edited and directed by Curt Bright, to whom I send many thanks for his excellent work.

So here’s a link to the page, and an invitation from me to check it out – in addition to the videos, you can see the latest books I’ve published, in addition to earlier works which are also of interest, all in one place. No matter what you’re looking for, Amazon Author Central is one of the fastest and easiest ways to keep track of your favorite authors.

Amazon Author Central is a real service for all authors – fiction, theory, history – in short, all books.

New Article in Senses of Cinema 76 – “Being Elizabeth Bishop”

Saturday, September 19th, 2015

I have a new article on Barbara Hammer’s new feature film Welcome to This House in Senses of Cinema.

As I write, in part, “Barbara Hammer’s Welcome to This House: A Film on Elizabeth Bishop (2015) is that rarity among documentary films – rather than the usual succession of talking heads, shot in a utilitarian fashion, as befits its subject the film is a primarily poetic project, which inhabits the world of Bishop and her poetry, entranced by the beauty of life in all its forms.

As the film’s press materials note, ‘Welcome to This House is a feature documentary film on the homes and loves of poet Elizabeth Bishop (1911–1979), about life in the shadows, and the anxiety of art making without full self-disclosure, filmed in Bishop’s ‘best loved homes’ in the US, Canada, and Brazil.’ It is also much more than that; it is an act of love and resurrection, in which Bishop emerges from the shadows as a fully rounded personage, freed from the constraints of society which so often failed to accept her for who she truly was.

In the film’s opening sequence, for example, photos of Bishop and the covers of her books give way to a view from the front porch of her home in Nova Scotia, with flowers and the image of a young Elizabeth intertwined in a tapestry of memory and abstract wonder. As the scene progresses, there are equally dreamlike images of her typewriter, and then a child’s hand writing ‘Elizabeth’ on a chalk slate, as the soundtrack hums and whirs with the sounds of an indolent, mesmeric summer. This gives way to reminiscences of how Bishop was left with her grandparents as a child, deprived of a mother and father, and how she grew up in world of her own creation as a result.

There are, of course, numerous archival materials interwoven throughout the film, but more than anything, Welcome to This House is a film about being Elizabeth Bishop, about finding one’s self as an artist, something that Barbara Hammer has being doing for her entire life, over a body of work that covers more than 80 films and four decades of continuous artistic production. In many ways, Welcome to This House is the sort of film that could only be made by a director after years of patient dedication; effortlessly mixing the past, the present, the imaginary and the real to evoke the inner life of Elizabeth Bishop, all the while demonstrating Hammer’s absolutely assured grasp of the moving image.”

You can read the entire essay by clicking here, or on the image above.

How To Turn Off A Reporter With Just Five Words

Tuesday, August 18th, 2015

Here’s a great post from Maria Perez of PR Newswire / Profnet on how to alienate the media.

As Perez reports, “if you were on Twitter yesterday, you may have seen tweets with the hashtag #sourcefromhellin5words. The brainchild of Linda Formichelli, co-founder of The Renegade Writer and UsefulWritingCourses.com, the hashtag gave writers the opportunity to share five-word phrases that make them never want to interview a source again. Here is a roundup of some of the top phrases shared by writers:

  • “Can I review before publishing?” (@joyfc)
  • “I must approve final draft.” (@write4income)
  • “Oh, don’t use my name.” (@seanfdriscoll)
  • “It’s all off the record.” (@lisarab)
  • “Don’t quote me on that.” (@Steph_Steinberg)
  • “Hey don’t use this, but…” (@josephcurrency)
  • “Don’t use any of this.” (@seancolahan)
  • “Has this been published yet?” (@urbanmusewriter)
  • “Make me sound good, okay?” (@sheehanwriting)
  • “Just quote from my book.” (@gwenmoran)
  • “Read Chapter 7 of my book.” (@urbanmusewriter)
  • “Answers are in my book.” (@caroleenoury)
  • “It’s all on my website.” (@anngol)
  • “Just get quotes from my website.” (@write4income)
  • “Can’t you just email me?” (@urbanmusewriter)
  • “Just email me the questions.” (@clarionev)
  • “Totally forgot about our interview.” (@savvysuburban)
  • “My idea’s better than yours.” (@cassiemccorvey)
  • “My lawyer has to approve.” (@mariannevill714)
  • “We’re creating a new paradigm.” (@lformichelli)
  • “That publication isn’t big enough.” (@willieshamorris)

And, my favorite (albeit more than five words): “Write the story, let me read it, and then I’ll decide if I want to be interviewed.” (@annielogue).” One question: what does “we’re creating a new paradigm” even mean? Fascinating stuff, and completely true. Honestly, it’s really hard to believe – no, I take that back, it’s easy to believe – that people would lead with these phrases. So the next time the media contacts you, don’t start with this – it doesn’t work!

Great post, Linda and Maria!

Marvel vs. DC – The Social Media Battle

Monday, August 17th, 2015

Talkwalker describes the social media battle between DC and Marvel as “a friendly rivalry” – but really, it’s a battle to the death.

As Julie Hong writes, “A friendly rivalry between Marvel and DC Comics has spawned since the 1930s, originating from comic books and then flourishing onto the big screens and video games. With more than 20 movie adaptations planned in the next 4 years, superhero movies are bound to break box office numbers, and social media records. While we must reckon that comparing Marvel and DC worlds is like comparing Coca-Cola and Pepsi – it’s a matter of taste – we can however determine who is catching the attention on the social web this summer in regards to figures and stats.

Using Talkwalker’s social media analytics platform, let’s see who wins each round in terms of social media trends, share of voice, hashtag analysis, sentiment, and engagement on Facebook and Twitter.” Hong then takes the various Marvel and DC films through a variety of social barometers, with Marvel sometimes winning, and DC sometimes coming out on top, but in the end – surprise – Marvel wins, mostly because they have a much deeper bench of characters than DC, and they’re clearly more adept at playing the social media game, and have been, long before Twitter, Facebook and the like were invented, and the only fan feedback was the “letters to the editor” column.

Hong concludes, “Our 8-round battle concludes to Marvel winning over DC on social media in terms of general conversations about comic books, volume of brand and hashtag mentions online, buzz originating from its cinematic universe, and Twitter activity. Winning the battle, but not necessarily the war. Superheroes fans, the floor is yours. Let us know who wins your heart @Talkwalker! This analysis was conducted using Talkwalker, a social listening and social media analytics platform that monitors and analyses online conversations on social networks, news websites, blogs, forums and more, in over 187 languages.”

So check it out – even if comic book films aren’t your main interest, this is fascinating material.

A Bad Day For Traditional Media

Wednesday, August 5th, 2015

Traditional media stocks are taking a beating today, as consumers move away from television for the web.

As Cecile Daurat reports on the Bloomberg News website, “Walt Disney Co.’s darkened outlook dragged down media stocks from Time Warner Inc. to 21st Century Fox Inc. and CBS Corp.

Disney, which through Tuesday had been the top-performing stock in the Dow Jones Industrial Average this year with a record of stellar sales and profit, surprised investors by posting lower-than-estimated quarterly revenue and cutting its forecast for cable-television profit.

Disney’s shares slumped as much as 10 percent — the most since August 2011 — after the results, while Fox and CBS Corp., which both report earnings after the close, dropped more than 5 percent. Time Warner and Scripps Networks Interactive Inc., the owner of Food Network and HGTV, also fell even though they beat second-quarter earnings predictions. Overall, the Bloomberg U.S. Media Index had its biggest intraday decline in almost four years.

‘Investors are definitely reading across the Disney earnings and extrapolating it to the broader media sector,’ said Paul Sweeney, an analyst at Bloomberg Intelligence.

Disney is facing two challenges of it own: fewer subscribers at cable networks such as ESPN, its biggest business, and foreign exchange losses from the strong dollar that are hurting both cable TV and international theme parks.

But the concerns over ESPN’s growth and comments on affiliate revenue from pay-TV providers, which Disney now expects to fall short of previous forecasts, may be a gauge for other media companies.

Both Time Warner and Fox are doubling down on exclusive live sports programming to demand higher fees for their channels from pay-TV distributors. And those higher fees have helped them fuel earnings growth in recent quarters. Investors will get an update on Fox and CBS, which has also pushed into sports programming, when the companies post results.

Time Warner’s decision to keep its full-year profit forecast after second-quarter earnings per share beat analysts’ predictions by a wide margin also weighed on the stock Wednesday. Maintaining the guidance suggested estimates for the second half may be too high, Sweeney said. Shares of the New York-based owner of HBO were down 7 percent to $81.49 at 12:55 p.m. in New York.

Discovery, which dropped 9.5 percent to $29.74, posted results that fell short of sales and earnings estimates Wednesday. The cable-TV company still increased its outlook for annual earnings-per-share growth, excluding foreign exchanges.

Cable-TV stocks like Scripps and Viacom Inc. suffered after Disney cut its forecast for cable profit. For fiscal 2013 to 2016, the entertainment giant had promised profit growth in the high-single-digit range. Now, with just five quarters to go, the company expects a mid-single-digit gain for the division over that time frame.”

This is sort of a late wake-up call to something that has been building for a long time; look at the frame grabbed chart at the top (click here, on the image above, to see a Bloomberg video on this whole topic, with some really sharp analysis). Netflix is going through the roof with subscribers, while traditional media – i.e. television and cable – is essentially flatlining.

This has been coming for a long time, and it’s sort of a seismic shock to the system for all involved, but Netflix is really taking over the whole viewing sphere, allowing people to see whatever they want, whenever they want, wherever they want, and also to cut free of the “bundling” that cable systems force on customers, paying for what really want and nothing else.

This is just the first shot in a new system of distribution that has been building for quite a while; I’m really surprised it has taken traditional media this long to notice that frankly, they’re in long term trouble. There’s no way this trend is turning around, and what happens next is -as far as I can see- that Netflix gets bigger and bigger, and traditional media becomes less and less relevant to millennials.

We’ll have to see what happens next.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

In The National News

Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at http://news.unl.edu/news-releases/1/ for more details.

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