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Archive for the ‘Webcasts’ Category

The 15 Best Silent Horror Films You Can Watch On YouTube

Saturday, October 4th, 2014

Jake Walters of Taste of Cinema has compiled an excellent list – with videos – of fifteen classic horror films.

It’s getting closer and closer to Halloween, and Jake Walters of Taste of Cinema has thoughtfully compiled an annotated list of some of the greatest silent horror films that you can watch – for free – on YouTube. As he writes, “early cinema was less a known quantity bolstered up by professionalism and stately film-making than a playground of pure delight, a cavalcade of wonders experiencing the birth pains of newness to the world. In place of a defined set of filmic rules, men and women were free to exploit the unease of the medium to create works of wonder and awe that looked to all inspirations and mashed them together with cheerful abandon. Silent cinema, when traditional narrative film-making was still finding its legs, was a time of wild-man exploration, when film could descend to the pit of man’s fears and the heights of human desire. And all without too much of a pesky plot to get in the way.

Fittingly, the genre that saw the greatest fruits for silent cinema was horror. Horror was never particularly well fitted to narrative – perhaps tellingly the genre found its greatest and most consistent prestige during the silent era. A focus on story often only had the effect of distracting from the more primal, primordial haunted imagery and the raw, viciously oppressive direct sensation of experiencing a screen of demented wonders. Silent horror was a place for audiences to directly address the screen, to confront images placed before them, and for those images to imbue themselves less onto the thinking mind than the unconscious one. While it wasn’t busy trying to make logical sense, silent horror found time to capture the human soul in all its facets, laid bare and split open uncomfortably and given to us on a silver platter. Even when they don’t scare, silent horror films provoke in untold ways that often can’t be described through written word. To this extent, here are fifteen of the greatest silent horror films.”

You can see all fifteen films by clicking here, or on the image above.

Why Can’t You Stop Watching Netflix? – CNN

Tuesday, July 22nd, 2014

Netflix wants you as a viewer – and you’re responding – in droves.

As Todd Leopold writes in today’s CNN.com, “the streaming and DVD service [Netflix] knows what you’ve rented and streamed and how long it took you to watch. It knows what genres you like and what performers you prefer. Who knows? It may even have an idea whether you prefer your popcorn lightly salted or slathered with butter. (Don’t want the rest of the world to know? It’s also testing a privacy mode.)

It has taken this knowledge and managed to produce a few hits of its own — not just with audiences, but also within the industry. Netflix is having a moment. Its series, such as House of Cards and Orange Is the New Black, recently picked up 31 Emmy nominations. Wall Street approves of the strategy, having bid up Netflix’s share price 10-fold in the last five years.

And the audience? Netflix just announced it has cracked 50 million subscribers, more than double the number it had just four years ago. It has taken some old showbiz lessons — trust the creatives, budget them appropriately — and added some new twists: Binge-watching. Deep data mining. Exploiting the catalog as if there were nowhere else to go.

Can it maintain its dominance? It wasn’t so long ago that the place was posting losses and alienating customers. Pop culture doesn’t sit still, and neither does business. Netflix, which helped drive Blockbuster into oblivion, has to watch challenges from distributors such as Amazon and Hulu — not to mention stay friendly with content providers like movie studios.”

What will happen next? Stay tuned – I contributed a few thoughts to this piece.

 

Frame by Frame Videos on Film History, Theory, and Criticism

Tuesday, June 24th, 2014

Here’s a carousel of more than sixty videos in my Frame by Frame series; click here, or above, to play!

Frame by Frame is a series of short videos I made with Curt Bright on film theory, history, and criticism — each is about 3 minutes long or so. Episodes of Frame by Frame cover The Hollywood Blacklist, Ridley Scott, Commercials in Movie Theaters, Inception, 3-D, Film Critics, War Movies, Film Composers, Buster Keaton, Charlie Chaplin, Subtitles vs. Dubbing, The Aura, John Ford, Remakes, Special Effects, John Huston, Ridley Scott, Fritz Lang, Howard Hawks, Alice Guy Blaché, Oscar Micheaux, Horror Movies, Deep Focus, Pan and Scan, Jean-Luc Godard, Camera Movement, Metropolis, Psycho, Movie Trailers, Laurel and Hardy, The Three Stooges, Minorities in American Film, The King’s Speech, Alfred Hitchcock, The Great Gatsby in 3-D, Digital Cinema, Special Effects, John Huston, Manoel de Oliveira, Orson Welles, Martin Scorsese, Westerns, Nicholas Ray, Busby Berkeley, Claire Denis, Woody Allen, Film Archives, George Cukor, Roger Corman, Billy Wilder, trailers, the Hollywood Ratings System, and many other topics.

Check it out! Useful for your classes; feel free to download as you see fit; use as you wish.

80,000 British Pathé Newsreel Clips Free Online

Monday, May 19th, 2014

British Pathé Newsreel has put up more than 80,000 newsreel clips on YouTube  – all free.

As the site notes, “Pathé News was a producer of newsreels, cinemagazines, and documentaries from 1910 until 1976 in the United Kingdom. Its founder, Charles Pathé, was a pioneer of moving pictures in the silent era. The Pathé News archive is known today as British Pathé. Its collection of news film and movies is fully digitized and available online. Follow us through the 20th Century and dive into the good and the bad times of the past. Feel free to explore more than 80,000 videos of filmed history and maybe you’ll find stuff no one else has ever seen. From next week on you’ll get a new playlists each Monday and Thursday, a special collection of videos we’ve picked out for you. On top of that you’ll get a weekly highlight video every Friday! Look forward to Top Ten lists, special occasions and recent events put into context. Have fun with 3,500 hours of filmed history!”

This is a truly amazing resource; click here, or on the image above, to access the entire library – free!

News Flash – Bunny Eating Raspberries!

Saturday, May 10th, 2014

When I got up yesterday morning, this was the most popular video on YouTube.

It then had about 300,000 views. I went to the gym, worked out, came home, and it was still there, with 300,000 more views. By Saturday night, it had 2,285,415 views, and was still going strong. By 8:21 AM on Sunday, it had 3,703,441 views, and had knocked the trailers for several “big” summer movies out of the top spot. By Sunday afternoon, it had amassed 4,217,784 views, and by Sunday night, 5,461,489 views, and showed no signs of slowing down. As of Tuesday May 13th, it was still climbing, with an amazing 8,502,302 views. So what it is it?

It’s 33 seconds of a rabbit, in close-up, eating some raspberries, so you can’t say that it’s inaccurately described. At least no one is getting killed, there isn’t some horrible disaster, and perhaps that’s the point – this rabbit doesn’t know about any of this, and simply wants to eat some raspberries, even if she/he doesn’t know what raspberries are – they’re sure tasty!

Perhaps more than a century after the cinema was invented, we’ve gone back to the days of the Lumière Brothers, who simply photographed the world around them in static, one minute films with no camera movement, showing workers leaving their bicycle factory, or people walking in the park, or a baby having a snack – and why not? It’s pure, simple, clear, and innocent.

When Andy Warhol first started making films in the early 1960s, with such titles as Eat (45 minutes of a man eating a mushroom), Sleep (6 1/2 hours of a man sleeping), Haircut (33 minutes of a man getting a haircut), to say nothing of his long series of several hundred 3 minute “screen tests,” he was doing much the same thing.

Perhaps we’ve come full circle again, to meditate on real life.

The DGA Visual History Archive – Director Interviews Online Here

Sunday, April 27th, 2014

The DGA Visual History Program offers an excellent collection of free video interviews with directors.

As the Directors Guild of America website notes, “founded in 2000, the DGA’s Visual History Program has conducted more than 160 interviews with directors and director’s team members discussing their careers and creative processes in film, television and other media.” These include such luminaries as Agnes Varda, Constantine Costa-Gavras, Claude Lelouch, Robert Altman and many, many others. You can see the interviews by clicking on the image above, and then searching the data base, or clicking on the images of some of the directors featured this month. My friend Dennis Coleman brought this to my attention; many thanks, Dennis! This is is an incredible resource.

Click here, or on the image above, to access these remarkable video interviews.

wheelerwinstondixon.com

Thursday, January 9th, 2014

I’ve moved my website to wheelerwinstondixon.com – follow me there!

Take a look at the image above, and you’ll see how it works.

The new website is much cleaner, has more information, and works more smoothly.

At the top left, there’s an “about” tab, where you can also download my complete cv as a pdf; next to that there are two tabs covering the 32 books that I’ve written, with the covers on display as clickable links that go directly to information on each title; next to that is a tab that goes to some 30 online articles of mine that are available out of the nearly 100 that I have written over the years; then comes a link to the Frame by Frame videos that I’ve made, with a clickable link to a carousel playlist that starts automatically and takes you through more than 70 titles; then a tab for this blog; then a tab for my film work — I have a show coming up in New York this Spring, 2014 — and finally a contact page, where you can e-mail me if you wish to.

This is where you will find me from now on; the old website is dead, so let’s move on into the future.

The Invisible Cinema of Marcel Hanoun

Sunday, November 24th, 2013

I have an new essay in Film International on the deeply underappreciated filmmaker Marcel Hanoun.

As I note at the beginning of my article, “When Marcel Hanoun died on September 22, 2012 at the age of 82, it caused barely a ripple in the media, and even in the world of experimental cinema. And yet Hanoun was a major filmmaker, whose near total critical eclipse after an initial burst of critical interest is an indictment of cinema history as a function of canon. It’s true that Hanoun’s films are difficult, but no more so than Jean-Luc Godard’s, who was a fan of Hanoun’s work; it’s true that Hanoun turned his back on commercial cinema to work as a perennial outsider, but again, cinema has many rebellious figures in its history who continue to hold a claim on our memory.

But Hanoun is in death, as he was in life, an almost phantom figure, ‘discovered’ in the early 60s, and then summarily dismissed. There is a French Wikipedia page on Hanoun, cited in the works below, but not one in English. Most of his films, with the exception of his first, Une Simple Histoire (1958), are not readily available. His list of film credits on official websites like IMDb is woefully inaccurate. What critical writing there is on him in English is mostly from the 1960s and 70s, and after that, it just stops. Indeed, for most of his films, there’s scant information to be had in any language. To me, this is inexplicable. Hanoun’s importance is clear. Nevertheless, it’s a sobering fact; most people have never heard of Marcel Hanoun.”

You can read the rest of this article here; again, my thanks to Daniel Lindvall, editor of Film International.

Cinecittá Opens Its Doors to The Public

Sunday, October 6th, 2013

Cinecittá, one of the world’s most important film studios, has just begun public tours for the first time.

A friend sent me this video report from Romereports.com on Cinecittá, Italy’s iconic film studio, which has just opened its door to public tours for the first time. Founded by Benito Mussolini, the studio cranked out pro-fascist feature films during the war years, but also served as a training ground for such major figures as Federico Fellini, Michelangelo Antonioni, Vittorio De Sica and many others, all of whom would eventually establish the modern Italian cinema. As the report notes, “cinema and only cinema can skip thousands of years and take us from Imperial Rome to Romantic times. It also breaks natural limits and shows the depths of sea on board this submarine, used in the World War II movie U-571. A compass will prove useless if we want to find those wonderful places: they all belong to Cinecittá studios, the dream factory that never closes. Its 75 years of history can now be enjoyed for the first time.

[Said Giuseppe Basso, delegate administrator of Cinecittá], ‘we have a [tour] route that talks about the mystery of cinema, of how a movie is made. Another area talks about the atrezzo, the construction of the scenarios, the background where a movie was shot, and the costumes of famous actors and actresses. We also have a route specially designed for kids that explains the [workings of the studio's] backstage. And one of our guides will also show you [the] permanent scenery. You have to visit this place because it’s historical. It keeps 76 years of glorious history of cinema [alive], national and international. Italy’s most important films were shot and are still shot in Cinecittá. Opening our doors to the public is a great novelty. A tourist that visits Rome can come to Cinecittá and find something new.’”

Click here, or on the image above, to view a video Cinecitta’s backstage tour; if in Rome, by all means, visit!

Kevin Spacey on The Future of Televison

Sunday, August 25th, 2013

Kevin Spacey has a few words of wisdom on the future of broadcast television and convergence with the web.

Spacey, who gave the keynote James MacTaggart Memorial Lecture at the Edinburgh Television Festival on August 23rd, as reported in The Guardian — one of my favorite newspapers — told the audience that “clearly the success of the Netflix model – releasing the entire season of House Of Cards at once – has proved one thing: the audience wants control. They want freedom. If they want to binge – as they’ve been doing on House Of Cards – then we should let them binge. [This] demonstrated that we have learned the lesson that the music industry didn’t learn – give people what they want, when they want it, in the form they want it in, at a reasonable price, and they’ll more likely pay for it rather than steal it. If you watch a TV show on your iPad is it no longer a TV show? The device and length are irrelevant. For kids growing up now there’s no difference watching Avatar on an iPad or watching YouTube on a TV and watching Game Of Thrones on their computer. It’s all content. It’s all story.”

You can view video excerpts from the lecture here — about five minutes, condensed — and Spacey makes some very good points.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of numerous books and more than 70 articles on film and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu.

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In The National News

National media outlets featured and cited Wheeler Winston Dixon on a number of topics in the past month. Find out more on the website http://newsroom.unl.edu/inthenews/