As I wrote in Film Quarterly 66.2 (Winter 2012), “Manoel de Oliveira remarked on the occasion of his 103rd birthday two years ago that ‘whether we like it or not, it [death] will come one day, but generally people are not in a hurry, and I personally have never been in a hurry in my life; this is perhaps why I reached this age.’
At 105, the Portuguese director Manoel de Oliveira is the oldest living filmmaker still actively working within the industry, and also the filmmaker with the longest career in the cinema, having directed films since 1927, beginning with a tantalizing project on the First World War that was never completed. His first real project was completed in 1931.
If you consider that 1927 project Oliveira’s baptism in the cinema, then he’s been a director for 87 years – longer than most of us manage simply to stay alive. During all this time, he’s developed a style that is so uniquely his own as to be instantly identifiable, something like the rigorousness of Straub and Huillet with a more emotional and less didactic edge, but nevertheless still challenging for most viewers.
But the good news is that the world has finally caught up with Manoel de Oliveira after nearly a century’s worth of work; at last, he’s being acknowledged as an absolute master of the cinema. And he has a project in the works for 2014 – long live Manoel!”