Skip Navigation

Frame by Frame

Posts Tagged ‘Adam Faith’

Beat Girl (1960)

Saturday, August 23rd, 2014

Those looking for compelling early 1960s British cinema could do worse than watching Beat Girl.

Actually, the film exists in two versions; the complete film, originally entitled Wild For Kicks, and the American re-cut, shortened by about thirty minutes, entitled Beat Girl. For once, the re-cut is the better version; the original has a whole lot of unnecessary backstory, and the American version just plows right into the adventures of Gillian Hills (seen in the image above) and her gang.

Ruthlessly exploitational, the film nevertheless boasts a truly amazing array of talent, from The John Barry Seven (yes, that John Barry) performing the title track as well as the incidental music throughout the film, as well as (get ready) Oliver Reed, Nigel Green, Christopher Lee (yes, that Christopher Lee), Adam Faith, Shirley Anne Field, Peter McEnery and numerous others, and was scripted by Eric Ambler’s son, Dail Ambler.

The plot of the film is simplicity in its extreme: Jennifer (Gillian Hills, who later appeared in Blowup and A Clockwork Orange) is bored, bored, bored, and just wants to have fun. With her nightclub pals, she roams the streets of London looking for action, finding it, and regretting it. Christopher Lee is marvelous to watch as the villainous nightclub owner who figures heavily in the film’s narrative, and Oliver Reed, just out of his teens when the film was shot, turns in a fabulous performance as one of her acolytes.

The director, Edmond T. Gréville, was French, and this was one of his last works; Gréville started his career working on Abel Gance’s epic film Napoleon (1927), and in truth, by this time, was in fairly desperate straits. But though the film ultimately falls apart at the seams, in its embrace of youthful rebellion, and the punk ethos long before anyone knew there was such a thing, Beat Girl — the American re-cut only, please — is a nifty slice of hardboiled teen cinema, as the credits above (click on the image to see them) aptly demonstrate.

So check out the main titles, and then the film itself; a real time capsule.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions. To contact Prof. Dixon for an interview, reach him at or

RSS Frame By Frame Videos

  • Frame by Frame: Science Fiction Futurism
    UNL Film Studies Professor Wheeler Winston Dixon discusses the 2015 Ridley Scott film "The Martian," and the accuracy (and often inaccuracy) of science-fiction films at predicting real advancements in science and technology. […]
  • Frame by Frame: Batman v Superman
    UNL Film Studies Professor Wheeler Winston Dixon discusses the genre of comic book movies in the context of "Batman v Superman."  […]

In The National News

National media outlets featured and cited Wheeler Winston Dixon on a number of topics in the past month. Find out more on the website