The character of Cosmo Topper, a button down banker haunted by the ghosts of George and Marian Kerby, was originally created by novelist Thorne Smith in the late 1920s, and served as the springboard for several indifferent films, but found its most lasting fame as a television series that lasted from 1953 to 1955, racking up a total of 78 episodes, which were played and replayed in syndication forever after.
In the television series, Topper was played by veteran actor Leo G. Carroll, whose eternally befuddled character was the perfect foil for the ghostly Kerbys, played by real life husband and wife team Anne Jeffreys and Robert Sterling. Lee Patrick, who had been knocking around in movies in bit parts — she was Sam Spade’s secretary in The Maltese Falcon, for example — was superb in role of Henrietta, Topper’s somewhat scatterbrained spouse.
The plots usually revolved around the fact that only Topper, and the audience, could see the Kerbys, who had perished in an avalanche while on a skiing vacation. For everyone else, things seemed to float around the house of their own accord, unexplained noises would erupt, and the Kerbys in general delighted in putting Topper in uncomfortable situations, all in an effort to loosen him up.
Further, the Kerbys had an alcoholic pet St. Bernard, Neil, who spent most of his time lapping up one martini after another, while Cosmo’s Boss, the exquisitely corrupt Mr. Schuyler (magnificently played by veteran heavy Thurston Hall), president of the bank where Topper works, keeps testing Topper’s patience with a variety of schemes and threats designed to make his life at the office miserable.
With the aid of the Kerbys, however, Cosmo Topper triumphs over the mendacity and mediocrity of 1950s American suburban life, and the series, which long ago passed into the Public Domain, and is available on DVD from Alpha Video, is well worth seeking out – it’s a real gem. Leo G. Carroll’s droll timing is a wonder to behold, and Sterling and Jeffries, very much in love, have a ball with their roles. Everyone on the series had to work very quickly, but they make it seem so effortless that it’s a real delight to watch.
Scripts were handled by a variety of writers, including a young Stephen Sondheim and George Oppenheimer; directors included Leslie Goodwins, Leslie H. Martinson — who later worked on the Batman TV series — and Lew Landers, and all the episodes were shot in two days or less, including time for Bewitched-style special effects, at the Hal Roach Studios in Culver City, Calif.