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Posts Tagged ‘Bert I. Gordon’

Mr. B.I.G.

Monday, April 15th, 2013

Orson Welles and director Bert I. Gordon on the set of Gordon’s film Necromancy (1972).

He never made any big budget films, and never really made any truly successful films, but Bert I. Gordon’s threadbare special effects extravaganzas, if that’s the right word for them, have a place in the affections of many film goers from the 1950s and 1960s. With such titles as The Cyclops, The Amazing Colossal Man, Beginning of the End (all 1957), Earth vs. the Spider, War of the Colossal Beast, and Attack of the Puppet People (all 1958), along with many other films to his credit, Gordon seemed obsessed with films that employed bargain basement trick photography (which Gordon himself was responsible for) to create images of enormous animals, insects, and/or humans wreaking havoc on society, shot in matter-of-fact black and white, and presented with ruthless economy in every department.

For sheer absurdity, they’re hard to top; perhaps my favorite moment in any of his films comes in Earth vs. The Spider, in which a group of teenagers accidentally discover a truly enormous and seemingly lifeless arachnid in a local cavern. The spider is subsequently transported to the local high school gymnasium (of course) for further study. Naturally, the students decide that this would be an excellent time for a rock and roll dance party, which awakens the spider, allowing it to embark on yet another murderous rampage. It’s all junk, but it’s pop art junk, and a real part of the American cinema experience in the 1950s, and for 75 minutes or so, worth the time to view as an authentic talisman of a vanished era. Still alive as of this writing, Gordon is in retirement, but his films are shown all the time on television, and many are available on DVD.

To see a brief video interview from 2010 with Bert I. Gordon, click here or on the image above.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu. Visit him at his website wheelerwinstondixon.com.

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