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Black & White Cinema: A Short History on Amazon Now!

Sunday, October 11th, 2015

My new book is out now on Kindle, and in paperback and hardcover on Amazon!

From the glossy monochrome of the classic Hollywood romance, to the gritty greyscale of the gangster picture, to film noir’s moody interplay of light and shadow, black-and-white cinematography has been used to create a remarkably wide array of tones. Yet today, with black-and-white film stock nearly impossible to find, these cinematographic techniques are virtually extinct, and filmgoers’ appreciation of them is similarly waning.

Black and White Cinema is the first study to consider the use of black-and-white as an art form in its own right, providing a comprehensive and global overview of the era when it flourished, from the 1900s to the 1960s. Acclaimed film scholar Wheeler Winston Dixon introduces us to the masters of this art, discussing the signature styles and technical innovations of award-winning cinematographers like James Wong Howe, Gregg Toland, Freddie Francis, and Sven Nykvist. Giving us a unique glimpse behind the scenes, Dixon also reveals the creative teams—from lighting technicians to matte painters—whose work profoundly shaped the look of black-and-white cinema.

More than just a study of film history, this book is a rallying cry, meant to inspire a love for the artistry of black-and-white film, so that we might work to preserve this important part of our cinematic heritage. Lavishly illustrated with more than forty on-the-set stills, Black and White Cinema provides a vivid and illuminating look at a creatively vital era, as featured on Turner Classic Movies in the series “Artists in Black and White.”

Critical Commentary:

“Dixon, no stranger to film history, gives us a complete overview of the black and white movie era, from the 1900s through the 1960s. He introduces us to the masters and talks about the styles and innovations of cinematographers long gone. Dixon also tells us how the crews working behind these cinematographers helped shape a bygone era of cinema . . . this book will help to inspire others to think about the artistry so that that this classic era of cinema is never forgotten. With more than 40 photos, the book provides a look at a vital era of film.” – Daniel Solzman, Flicksided

“Like artists painting with light and shadows, [cinematographers] perfected the lighting techniques and other innovations that often turned commerce into black-and-white art . . . Covering a hitherto neglected subject, this should be essential reading to all those with an interest in cinema history.” —Roy Liebman, Library Journal

“There’s an interesting new book by Wheeler Winston Dixon called Black & White Cinema: A Short History, and it tells the history of black and white movies, its origins and impact, and it’s really well worth reading. It’s filled with all kinds of insights about black and white cinematography, and the many artists who mastered the tricky interplay in capturing light and shadow.” – Robert Osborne, Turner Classic Movies

“Dixon covers the entire history of black and white movies in one volume, and talks about the films and cinematographers who created these films, and often got little credit for their work. Fascinating and compelling, this is essential reading for anyone who loves movies.” – Robert Downey Sr. director, Putney Swope

“Dixon has an encyclopedic knowledge of film history, and a subtle and well-honed aesthetic sense. He rescues important films from oblivion, and finds fresh angles of approach to films that are already familiar.” -Steven Shaviro, author of Connected, or What It Means to Live in the Network Society

“Wheeler Winston Dixon’s colorful study of black-and-white cinema reaffirms yet again his unfailing expertise as a critic, historian, and dazzlingly fine writer. Indispensable for students, scholars, and movie buffs alike.” – David Sterritt, Chair, National Society of Film Critics

“In his latest book, Black and White Cinema, Wheeler Winston Dixon rediscovers the art of cinematography in those glorious black-and-white movies from Hollywood’s classic age.” –Jan-Christopher Horak, Director, UCLA Film & Television Archive.

My thanks to all who helped bring this book to life, and to the great cinematographers who inspired it.

New Perspectives on World Cinema Series — Anthem Press

Thursday, December 6th, 2012

Gwendolyn Audrey Foster and I have a new series of books from Anthem Press, London.

The New Perspectives on World Cinema series publishes engagingly written, highly accessible, and extremely useful books for the educated reader and the student as well as the scholar.

Volumes in this series will fall under one of the following categories: monographs on neglected films and filmmakers; classic as well as contemporary film scripts; collections of the best previously published criticism (including substantial reviews and interviews) on single films or filmmakers; translations into English of the best classic and contemporary film theory; reference works on relatively neglected areas in film studies, such as production design (including sets, costumes, and make-up), music, editing, and cinematography; and reference works on the relationship between film and the other performing arts (including theater, dance, opera, etc.).

Many of our titles will be suitable for use as primary or supplementary course texts at undergraduate and graduate levels. The goal of the series is thus not only to address subject areas in which adequate classroom texts are lacking, but also to open up additional avenues for film research, theoretical speculation, and practical criticism. There are already several books in the series — you can see them by clicking on the image above — and we are now actively looking for new volumes for publication.

Series Editors

Wheeler Winston Dixon – University of Nebraska, Lincoln, USA

Gwendolyn Audrey Foster – University of Nebraska, Lincoln, USA

Editorial Board

David Sterritt – Columbia University, USA

Valérie K. Orlando – University of Maryland, USA

Thomas Cripps – Morgan State University, USA

Robert Shail – University of Wales Lampeter, UK

Catherine Fowler – University of Otago, New Zealand

Andrew Horton – University of Oklahoma, USA

Frank P. Tomasulo – City College of New York, USA

Proposals: We welcome submissions of proposals for challenging and original works that meet the criteria of this series.

Please contact us at:

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions. To contact Prof. Dixon for an interview, reach him at or

RSS Frame By Frame Videos

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In The National News

National media outlets featured and cited Wheeler Winston Dixon on a number of topics in the past month. Find out more on the website