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Wonder Woman Trailer Drops at Comic-Con

Saturday, July 23rd, 2016

The new Wonder Woman trailer just premiered at Comic-Con.

As Eliana Dockterman writes in Time Magazine, “The first Wonder Woman trailer premiered exclusively at San Diego Comic-Con on Saturday. The movie looks like it will deliver on female empowerment. In the trailer, Wonder Woman (Gal Gadot) finds a passed out Steve Trevor (Chris Pine) on the beach. ‘You’re a man?’ the warrior who has never seen the opposite sex before asks.

We see shots of Wonder Woman carrying a sword in a ballgown, fighting on horseback, blocking bullets in the World War I trenches with her shield and wielding her golden lasso of truth. Hammering home the message that Diana Prince is an independent woman, when Steve Trevor tells her, ‘I can’t let you do this,’ she replies: ‘What I do is not up to you.’

‘I wanted to portray this character in a way that everyone could relate too. Not only girls, not only boys, but men and women too,’ said Gal Gadot. ‘The world needs love and forgiveness in such a huge way. It’s not about who’s right anymore,’ director Patty Jenkins said during the panel. ‘We need heroes who are strong enough to be loving and forgiving . . . That’s what Wonder Woman in particular stands for.’”

With Patty Jenkins directing, there’s some hope for this, and the trailer looks like a typically loud and action packed comic book movie film, but on the poster for the film, Will Brooker perceptively noted in another article in Time by Raisa Bruner on the film that “I have not yet found a single male superhero poster that cuts his head off and focuses solely on body” – a sharp comment indeed.

Since the world is currently ruled by comic book films, it’s good that Jenkins and Gadot got a chance to compete in the big-budget arena, but just from the trailer, it seems like the film amps up the love relationship between Diana Prince and Steve Trevor over all the other plot elements, and somehow, I just don’t think it will be as solidly grounded as Lauren Montgomery’s 2009 animated Wonder Woman feature film – but then, that had a minuscule budget, and went straight to DVD.

Here, there’s more than $150 million at stake, just in getting the film to the screen, to say nothing of promotional and DCP “print” costs, as well as other exhibition expenses. But it has to be better than Batman v. Superman: Dawn of Justice, though that’s setting the bar very low indeed. And Gal Gadot was the best thing about that film, so I hope this turns out as well as it possibly can, for all concerned.

For, as Raisa Bruner notes, “‘Power. Grace. Wisdom. Wonder,’ reads the stripped-down poster, which features a striking silhouette of Gadot against a fiery sky. Her iconic costume has gotten an update — they added knee guards and dropped the traditionally spangled tiny blue bottoms in favor of a simpler skirt, doubling down on the Amazonian origins of the character — but it’s the glinting sword in her hand that makes the strongest point. The takeaway? You don’t want to mess with this woman.”

It’s way overdue – should have happened decades ago – but at least now it’s here.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

In The National News

Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at http://news.unl.edu/news-releases/1/ for more details.

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