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Posts Tagged ‘Contemporary Women Filmmakers’

The Film Fatales Collective

Sunday, May 11th, 2014

“We’re a group of filmmakers who make each other’s dreams come true.” – Danielle Lurie

As their site – follow the links above in the photo and the opening quote – accurately notes, “Film Fatales is a collective of female filmmakers based in New York who have written or directed at least one feature narrative or documentary film. Our members meet the first week of every month, hosted at the home of a different filmmaker each time. Gatherings consist of a meal, a topical conversation relevant to the creative process, and a sharing of the current projects of our members. Film Fatales has quickly become a grassroots community of collaboration and support, with over a dozen films in production by our members this year alone. By offering a space for mentorship, peer networking and direct participation, we hope to promote the creation of more stories by and about women.”

Filmmaking is tough; collectives such as this make it easier to create new and original work.

For Your Consideration: Women Directors Missing From the Oscars

Saturday, February 25th, 2012

This video has been tearing up the web, as well it should.

As far as I can tell, it’s the work of Melissa Silverstein, and she’s absolutely right about everything she says.

Women created the cinema. Alice Guy was arguably the first person to make a film with a plot, La fée aux choux (The Cabbage Patch Fairy, 1896); the first to make a film with sound; the first to make a film in hand-stenciled color; the first to make a film longer than 1 minute; the first to make a multi-reel film; and she started her long career in 1896, long before D.W. Griffith even thought of making a film. Her contemporaries were Georges Méliès, The Lumière Brothers, and numerous others, but Alice Guy’s more than 354 films stand as a monumental achievement at the dawn of cinema.

As Ms. Silverstein points out, “in 2011, only 5% of the top grossing films in Hollywood were directed by Women. The number has decreased since 1998. In 84 years only 4 women — Lina Wertmuller, Jane Campion, Sofia Coppola and Kathryn Bigelow — have been nominated for best director. One 1 has won.

Please feel free to send this video out far and wide, and on Sunday, remember that women directors voices and visions are missing from this very large cultural conversation. Telling people this is a cultural problem and not just a gender equity problem is a first step.”

Happy to help. A change would definitely do you good . . .

For more information on women in film, check out Gwendolyn Audrey Foster’s book Women Film Directors: An International Bio-Critical Dictionary, by clicking this link.

Ten Contemporary Women Directors

Thursday, December 15th, 2011

Here’s a list of ten contemporary women directors you should know about from Women’s Press by Judy Berman.

As she writes; “Kathryn Bigelow may have been the first female filmmaker to win a Best Director Oscar for 2009′s The Hurt Locker. But did you happen to notice that for the most recent Academy Awards, the nominees in the same category were all men — in a year when two movies directed by women, Winter’s Bone and The Kids Are All Right, were up for Best Picture?

Gender inequalities exist throughout the arts, but they’re especially pronounced in the rarefied world of film directing. We all know a few big-name women filmmakers: Bigelow, Sofia Coppola, Susan Seidelman, Catherine Hardwicke, Nora Ephron, Julie Taymor. In honor of International Women’s Day, we present ten great, contemporary female directors who you may not know but should definitely check out.”

And so you should, by clicking here, or on the image above.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of numerous books and more than 70 articles on film and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu.

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