Kubec Glasmon, the almost forgotten co-author of the script for Public Enemy, the 1931 William Wellman film that shot James Cagney to stardom, had a real knack for hard-boiled crime drama, and though this film from 1935, Show Them No Mercy, has been unjustly neglected, it’s a stunning piece of work, and you can see it here, now, by simply clicking on the image above.
Produced by Nebraska native Darryl F. Zanuck for his Twentieth Century Film Company, just before he bought out the Fox Film Corporation to create 20th Century Fox, Show Them No Mercy tells the story of a young couple and their infant daughter who seek shelter from a rainstorm in a seemingly abandoned house, only to discover a bunch of gangsters holed up inside, with lots of hot money on their hands. They’ve just successfully pulled off a kidnapping, have $200,000 in ransom money, and want to get out of the country, but the question is, how?
Initially too innocent to realize the danger they’re in, the young couple soon figures out that the group will literally stop at nothing, especially the psychotic trigger man Pitch (Bruce Cabot, best known for his work in King Kong, and absolutely brilliant here in a role based on real-life gunman Vincent “Mad Dog” Coll) and the gang’s suave leader, Tobey (the always reliable Cesar Romero, turning in another top flight performance).
To tell you more about what happens next would be a mistake, but take my word for it – this is a film that has been unfairly overlooked, and at 75 minutes, moves along like a streak of lightning, with an ending that’s still shocking nearly a century after the film was made.
As TCM notes, “the film was inspired by the kidnapping in May 1935 of George Weyerhaeuser, scion of a wealthy lumber family, who was released after ransom money was paid. The ransom money, which the FBI arranged so that the serial numbers could be used as clues, was then traced, and the kidnappers were arrested and sentenced to long prison terms,” but that’s not what happens here. Glasmon’s script follows an entirely different trajectory, leading up to a satisfactorily brutal conclusion.
Suffice it to say that the film raised a number of eyebrows when it was first released, and barely managed to scrape through Code censorship, thanks largely to the adept machinations of producer Zanuck, who was an expert in telling the Code authorities what they wanted to hear, and then doing precisely as he pleased with the film itself. The result is astonishing.