As I write in Senses of Cinema 81 (December, 2016), “BFI’s Flipside series continues with another excellent release, a completely restored version of Don Sharp’s ‘zombie biker’ film Psychomania (1973), starring George Sanders in his last role, with capable assists from Beryl Reid and Nicky Henson.
Psychomania concerns Tom Latham (Henson), the leader of a teenage motorcycle gang, The Living Dead, who with the aid of his devil-worshipping mother (Reid) and her obedient butler Shadwell (Sanders) makes a deal with the Devil for his gang’s literal immortality.
Soon the gang members are deliberately killing themselves in a variety of grotesque and spectacular fashions, secure in the knowledge that they will soon be immortal. However, as with all such arrangements, things don’t go precisely as planned. Suffice it to say that business transactions with Satan are a decidedly risky business, for as we all know, the Devil is in the details.
Tom is an impetuous fellow, and he’s suspicious (with good reason) about his parentage and his home life in general. ‘Why did my father die in that locked room?’ he asks Shadwell petulantly. ‘Why do you never get any older? And what is the secret of the living dead?’
Soon enough, Tom’s mother – a curiously distant maternal figure if ever there was one – inducts Tom into the cult. With that accomplished, the rest of the film is a series of violent action set pieces, involving the ritualistic suicide of the gang members and their almost immediate resurrection, in which supermarkets are ransacked, innocent pedestrians are mowed down, and general mayhem ensues.
But that’s just for openers. Like so many motion picture motorcycle gangs before them, Tom has bigger plans, and wants to embark upon a campaign of wholesale violence, murdering policemen, judges, teachers, any authority figure that might hamper the gang’s activities. At this juncture, Tom’s mother and Shadwell intervene to put a halt to Tom’s grandiose scheme, in a manner that’s both bizarre and apparently quite effective.”