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Catching Fire Trailer Debuts

Sunday, July 21st, 2013

The first trailer for Catching Fire, the second part of The Hunger Games trilogy, is on the web.

I have always liked Francis Lawrence, the director of the forthcoming Catching Fire, even when his films aren’t completely successful, as is the case with both I Am Legend and his earlier film Constantine. The first forty minutes or so of I Am Legend, depicting Manhattan completely devoid of people, overgrown with trees and vines and populated by wild animals, as the iconic buildings of the metropolitan landscape rot in the distance, are absolutely memorable, made all the more so by the complete absence of music, which usually tells you exactly how to “feel” at any given moment.

At his best, Lawrence is an energetic action director with a surprising sense of subtlety, and here, working with the returning actor Donald Sutherland and series newcomer Philip Seymour Hoffman, he promises to deliver a much full full-blooded experience (no pun intended) than the Gary Ross original. While I’m certainly not sitting around waiting for the film to open on November 22nd — that’s a long way off — this first trailer seems to possess an altogether darker and more harrowing vision than The Hunger Games, and is well worth watching.

You can view the trailer by clicking here, or on the image above.

The Hunger Games: Catching Fire – First Trailer

Monday, April 15th, 2013

Liam Hensworth, director Francis Lawrence, and Jennifer Lawrence on the set of Catching Fire (2013).

The Hunger Games: Catching Fire, the second installment in the Hunger Games trilogy, opens this coming November, and for once, I am more interested in the sequel than in the original. The reason: Donald Sutherland is more front and center, and he was the best thing about the first film; as you will see in the trailer, he’s joined by the always excellent Philip Seymour Hoffman, and the effortless manner in which these two superb actors play off each other is a delight to behold. Jennifer Lawrence is back, and just on the evidence presented here, seems much more assured in her role as Katniss Everdeen; Stanley Tucci and Woody Harrelson also return, so the cast is exceptionally strong. But the real difference here is that Francis Lawrence, an expert action director with a real edge of brutality in his visuals, is at the helm, and I think that the results will be much more interesting than the rather bland and uninvolving original, indifferently directed by Gary Ross. In any event, here’s the first trailer; judge for yourself.

Click here, or on the image above, to see the first trailer for the film.

The Hunger Games

Friday, March 2nd, 2012

Click here, or on the image above, to see the trailer for The Hunger Games.

The Hunger Games, based on the novel by Suzanne Collins, and one of the most anticipated films of early 2012, will open on March 23rd.

Lionsgate just received a PG13 rating for the film from the MPAA, which is surprising, given the film’s bloodthirsty premise; a group of adolescents are forced to fight to death each year until only one survives, all for the spectatorial pleasure of a massive viewing audience. The plot owes an obvious debt to Battle Royale, both the 1998 novel by Kōshun Takami, as well as the extremely well-received 2000 film by Kinji Fukasaku, though Collins says she’d never heard of either the novel or the film before she handed in her manuscript; but it also has clear thematic links to William Golding’s novel Lord of The Flies (filmed superbly in 1963 by Peter Brook, and indifferently by Harry Hook in 1990), as well as Shirley Jackson’s groundbreaking 1948 short story The Lottery, first published in 1948 in The New Yorker, and subsequently filmed at least three times in 1969, 1996 and 2007.

There’s also obvious connections to the Roman gladiatorial games, and the whole “future Dystopian society” angle has been a staple of films and novels for decades, from Metropolis to Blade Runner to Death Race 2000, with numerous stops in-between. And of course there’s always the inescapable influence of George Orwell’s 1984 — the template for nearly all visions of future society in collapse — in the completely downbeat, hypersurveillant nature of both the novel, and one would presume, the film. The director is Gary Ross, whose previous films include Pleasantville.

As Lionsgate summarizes the film in their press release, “every year in the ruins of what was once North America, the evil Capitol of the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games. A twisted punishment for a past uprising and an ongoing government intimidation tactic, The Hunger Games are a nationally televised event in which ‘Tributes’ must fight with one another until one survivor remains.” The cast is first rate: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Wes Bentley, Toby Jones, Alexander Ludwig, Isabelle Fuhrman, Amandla Stenberg, Stanley Tucci and Donald Sutherland. Whether or not the film will live up to its grim potential remains, however, to be seen.

This is one of the oldest, and saddest, plot lines of all; kill or be killed, the survival of the fittest, trust no one, and look out for number one. It’s a cruel, brutal film for an era of dead dreams – sad, but all too true.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu. Visit him at his website wheelerwinstondixon.com.

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