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The Unguarded Moment (1956)

Monday, August 6th, 2012

I have a new article on The Unguarded Moment in Noir of the Week.

Here’s the opening paragraphs: “Harry Keller’s The Unguarded Moment is a lost gem from the 1950s, which reveals the real dark side of the American dream, and the nightmare behind the seemingly pleasant facade of Eisenhower America. Esther Williams, usually more at home in aquatic roles, had just been dismissed by MGM, and was looking around for an interesting project to help her establish a new screen identity.

Universal suddenly, and unexpectedly, stepped in and offered her $200,000 to appear in The Unguarded Moment — more than $1.5 million in 2012, adjusted for inflation — which was more than MGM had ever paid her for any of her many films for that studio. The film was described to Esther Williams as a suspense thriller, which it manifestly is, and it was a complete change of pace from the roles she had spent her lifetime playing; essentially the same role over and over again, in a series of Technicolor swimming extravaganzas. Williams was sick of them, and sick of the genre as a whole; she wanted something different. Seeing the role as a challenge, Williams accepted the assignment.

Williams plays Lois Conway, a small town high school music teacher living in well-manicured suburbia — actually the Leave it to Beaver / Desperate Housewives street on Universal’s back lot — whose life is turned into a nightmare when one of her pupils, an unbalanced high school football star, Leonard Bennett (John Saxon, in a very early role) starts sending her love notes, physically attacks her after a football practice underneath the bleachers, breaks into her house and steals her possessions, all without leaving a shred of evidence against him.”

You can read the entire essay by clicking here, or on the image above.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

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Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at for more details.

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