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TCM and Criterion Launch FilmStruck Video on Demand

Thursday, October 6th, 2016

TCM and Criterion are launching a new streaming film service, with a great selection of titles.

As Todd Spangler writes in Variety, “Turner is set to launch FilmStruck — its first subscription video-on-demand service, stocked with hundreds of arthouse, indie, foreign and cult films along with a host of additional related content — on Oct. 19. FilmStruck, which Turner execs have said is an opportunity to test out the direct-to-consumer SVOD segement, is developed and managed by Turner Classic Movies (TCM) in collaboration with the Criterion Collection.

FilmStruck will be available only in the U.S. initially. It will have three pricing tiers: the entry-level service is $6.99 per month; FilmStruck + The Criterion Channel is $10.99 monthly, offering everything in the base FilmStruck subscription plan plus unlimited access to Criterion’s entire streaming library of films and special features, along with exclusive original programming; and an annual subscription of $99 per year for FilmStruck + The Criterion Channel.

FilmStruck’s rotating selection includes films from such indie studios as Janus Films, Flicker Alley, Icarus Films, Kino, Milestone, Zeitgeist, Film Movement, Global Lens, First Run Features, Oscilloscope Laboratories and Shout Factory, along with movies from major studios including Warner Bros. and MGM.

‘By combining the expertise at TCM and the Criterion Collection – two of the leading authorities in film preservation and history – we have created something really special that is a must-have for passionate film lovers,’ said Jennifer Dorian, general manager of TCM and FilmStruck. Turner commissioned a research study of 2,000 film fans across the U.S., conducted by Frank N. Magid Associates, and drew from that an estimate that there are 15 million people 18-49 in the States who would be interested in a service like FilmStruck . . .

The challenge for FilmStruck will be to capture a share of consumers’ wallets against a myriad of other SVOD offerings in the market, including mainstream players like Netflix, Hulu and Amazon Prime Video, as well as more directly competitive services tailored to film buffs, including Fandor and Tribeca Shortlist, a joint venture of Lionsgate and Tribeca Enterprises.

Titles to be featured on FilmStruck include Babette’s Feast, Blood Simple, Blow-Up, Breaker Morant, A Hard Day’s Night, Mad Max, Metropolis, Moulin Rouge, My Life as a Dog, Paths of Glory, The Player, A Room with a View, Seven Samurai, The Seventh Seal, The Unbearable Lightness of Being, Stardust Memories, The Trip to Bountiful, The Umbrellas of Cherbourg and Woodstock.

In addition, beginning Nov. 11, FilmStruck will become the exclusive streaming home to The Criterion Channel, offering what the companies say is the largest streaming collection of Criterion films available, including classic and contemporary films from around the world, interviews and conversations with filmmakers and never-before-seen programming.

With the FilmStruck deal, Criterion films are rolling off Hulu, which had been the exclusive streaming partner for Criterion’s library in the U.S. since 2011. FilmStruck will be available on the web, Android and iOS devices, Apple TV and Amazon Fire TV, with additional platforms and devices coming in the future. As with Netflix, Hulu and other services, FilmStruck offers only video streaming (with no downloads for offline viewing).

The FilmStruck service will feature over 70 curated and constantly refreshed programming themes, along with exclusive bonus content like hosted introductions, originally produced pieces, interviews and rare footage.” Sounds promising, and also exclusive, as the highlighted section above demonstrates. If you want Criterion versions of these classic films – the best on the market – as streaming media, then FilmStruck will be your one and only choice.

In addition, as TCM itself uses an ever-tighter playlist of classic films, this will be a welcome opportunity to move beyond the televised offerings and program your own film festival, so to speak. But as Spangler notes, the real problem will be gaining market share in an already crowded field, but for the dedicated movie buff, the Criterion “exclusive” angle will more than solve that problem, I would think.

All in all, everything is moving to the web – streaming, with no downloads and physical media. This is both a good and bad thing; I’m a diehard physical media person, and if possible, I like to get the films that I really want to see again and again on DVD or Blu-ray. But there’s no denying that there’s vast market to be tapped here, and if TCM and Criterion can do it with FilmStruck, more power to them. With the collapse of the art house circuit worldwide, everything is moving online.

Starting October 19th – FilmStruck – the new destination for streaming classic films.

Three Worlds by Catherine Corsini

Wednesday, July 3rd, 2013

Catherine Corsini’s Three Worlds is an excellent film from a long established, underrated director.

As the film’s press kit notes, “Al, a young man from a modest background, is ten days away from marrying the daughter of his boss, along with succeeding him as the head of the car dealership where Al has been working for most of his life. One night, while coming back drunk from his bachelor party, Al commits a hit-and-run when he hits a man by accident and is urged to leave the scene of the crime by his two childhood friends who are with him in the car. The next day, gnawed by guilt, he decides to go to the hospital to inquire anonymously about his victim.

What he does not know is that the entire accident was witnessed from a balcony by a young woman, Juliette, who is going through her own emotional upheavals. Juliette not only called 911, but also helped to contact the victim’s wife, Véra, a Moldavian illegal immigrant whom she decides to help and keep company at the hospital. But when Juliette recognizes Al as the reckless driver in the hospital corridor, for some reason she is unable to denounce him. Gradually they get to know each other better through more frequent meetings and phone calls, and Juliette becomes a mediator between Al and the unsuspecting Véra. However, things get complicated when romantic feelings between Juliette and Al start to arise, and Véra finally finds out about their secret relationship.”

Corsini was born in France in 1956, and starting at age 18 moved to Paris to pursue a career as an actress. Instead, she started working on screenplays for short films, and in 1988 directed her first feature, Poker, and has directed 16 films, most notably Leaving (Partir, 2009) starring Kristin Scott-Thomas, which was an enormous international success. Three Worlds is equally ambitious, and is distributed in the United States by Film Movement, an ambitious subscription plan that sends viewers a film each month, selected from the many offerings available around the world, becoming — through DVDs or streaming video — the new art house model for the 21st century.

Three Worlds is a remarkable film, and Corsini’s visual and narrative style  — to say nothing of its bleak moral worldview — is reminiscent of the great French crime thriller auteur Claude Chabrol, while the score for the film echoes the equally romantic, yet fatalistic work of the late film composer Georges Delerue. From first frame to last, Three Worlds will hold your attention, and is definitely worth the time and effort to seek out.

As Penelope Andrew noted in a review in The Huffington Post, “Corsini has taken on enormous subjects: immigration, class structure, poverty, money and greed, and the unintended consequences inherent in the misuse of modern technology. She’s searching, I think, to explicate France’s current moral crisis. For most of the film, Vera appears to be the most powerless, desperate character; she’s in dire need of money and takes it. But in a twist of irony near the end, which feels like poetic justice, this illegal immigrant is elevated to judge and jury over the fate of a native son of France.”

Three Worlds is one the better films out there right now; check it out, on DVD or streaming on demand.

About the Author

Headshot of Wheeler Winston Dixon Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

In The National News

Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at http://news.unl.edu/news-releases/1/ for more details.

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