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Posts Tagged ‘French Resistance Cinema’

New Frame by Frame Video: Les Dames du Bois de Boulogne

Wednesday, September 19th, 2012

I have a new Frame by Frame video out today, directed and edited by Curt Bright, on the 1945 films Les Dames du Bois de Boulogne by Robert Bresson.

I have blogged about this film before; as I wrote then, “one of Robert Bresson’s most incandescent works, this early film also marks the teaming of two of France’s most personal and idiosyncratic artists: Robert Bresson and Jean Cocteau. Cocteau (whose 1949 film Orpheus [Orphée] mesmerized post-World War II audiences), in addition to his numerous other accomplishments, wrote the dialogue for Les Dames du Bois de Boulogne, loosely based on Denis Diderot’s short story Jacques le Fataliste et Son Maître. Elina Labourdette plays Agnès, a young woman who has been forced into a life of prostitution in wartime Vichy, France, in order to support herself and her ailing mother (Lucienne Bogaert).

At the same time, Hélène (the serpentine Maria Casarés) is breaking up with her longtime lover, Jean (Paul Bernard), and, feeling jilted by him, concocts an elaborate plot for revenge. Contacting Agnès and her mother, Hélène offers to take over their debts, move them out of the brothel they call home, and set them up in a sleek, modern apartment, with no strings attached. We discover too late Hélène’s true motives; she is doing all of this so that Jean will ‘accidentally’ meet Agnès, fall in love with her, marry her, and then become the subject of public ridicule because of Agnès’s past. All of this goes off with clockwork precision, but Jean, when confronted with the monstrousness of Hélène’s treachery, shakes off his bourgeois prudishness, embraces Agnès despite her fall from grace, and the film ends on a note of hope and Bressonian redemption. This film never fails to stun me with its sheer, vibrant beauty and psychological insight; I return to it again and again, and it never disappoints.”

I wrote an essay on the film in Senses of Cinema 46; you can read it here.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

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