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Posts Tagged ‘James Wan’

USC Study: Women and Minorities in Hollywood Still Struggling

Wednesday, February 1st, 2017

As Rebecca Sun writes in The Hollywood Reporter, women and minorities are still short-changed in Hollywood.

As Sun notes, “USC Annenberg’s Media, Diversity & Social Change Initiative has uncovered sobering evidence that the lifespan of a female director’s career is a lot shorter than that of her male counterpart’s.

Analyzing the gender, race and age of the directors of the 1,000 top-grossing films from the past 10 years, researchers found that 80 percent of the female helmers were ‘one and done’ — that is, they made just one movie from 2007 to 2016. This percentage rose to 83.3 percent for women of color. By contrast, 54.8 percent of the men directed just one film during that span (with Asian and black male directors faring slightly worse, at 60 and 62.5 percent, respectively).

‘If you’re trying to feed a family or make your way in Hollywood, having one opportunity a decade is simply not going to get the job done,’ Dr. Katherine Pieper, who co-authored the study with Dr. Stacy L. Smith and Marc Choueiti, tells The Hollywood Reporter.

Although the average age of male and female directors was similar (46.2 and 47.4 years, respectively), the age range for each gender differed. All of the women who worked in the past 10 years were in their 30s to 60s, while eight 20-something men and six octogenarians released at least one movie during that span, including Clint Eastwood, whose eight titles make him the second-most prolific director of the past decade.

Tyler Perry is first, with 14, while the highest-ranking woman, The Proposal‘s Anne Fletcher, shares 24th place with 31 male directors, with four films each.

In assessing the race and gender of directors of the annual 100 highest-grossing movies, the researchers found that over the past 10 years the share of films directed by women, black or Asian filmmakers (4, 5.1 and 3 percent, respectively) has experienced no significant statistical shift.

These proportions represent movies, not individuals; Perry, for example, is singlehandedly responsible for nearly a quarter of the movies helmed by black directors over the past decade, while James Wan, Justin Lin and Jon M. Chu held more than 40 percent of Asian directors’ credits, thanks to their franchise work.

In terms of unique individuals, 27 black and 17 Asian directors sat in the director’s chair. Five were women: Ava DuVernay, Gina Prince-Bythewood, Sanaa Hamri, Jennifer Yuh Nelson and Loveleen Tandan, who was credited as ‘Co-director (India)’ on Danny Boyle’s Slumdog Millionaire.

Although the study did not evaluate ethnicity, its authors noted that Miracles From Heaven‘s Patricia Riggen was the only Latina director among the 1,000-film sample of the last decade.

Going forward, the USC researchers intend to continue their qualitative and quantitative examination of the entire pipeline to further pinpoint where and why women and people of color are losing opportunities to work.

Although the majority of those included in this study had agency representation, ‘there’s a breakdown in the process of getting women and people of color these top jobs,’ Smith says. ‘More inquiry needs to be conducted to find out where are they falling out, and what can be done to shore up those leaks or cracks in the consideration process.’

To that end, the authors have included a number of proposed solutions tailored for various sectors of the industry, from buyers and sellers, who can set specific proportions (i.e., 30 percent female/underrepresented race) for people they consider for a job, to A-list talent, who can add ‘equity riders’ to their contracts.

Says Smith: ‘It’s about asking what are all the levers that need to be pushed to open up the gates for more storytellers interested in developing their talent so that they can have opportunities over time?'”

We will undoubtedly hear more about this in the future – this is a real issue.

The Conjuring

Saturday, July 20th, 2013

I have a new essay on James Wan’s film The Conjuring in the latest issue of Film International.

As I note, “The Conjuring is a remarkably traditional film in both style and content; once again exorcism and possession are ramped up for the usual thrill ride, complete with objects flying around the house, children in peril, a possessed mother, ghosts from the past tormenting the living, with special effects that seem remarkably similar to William Friedkin’s The Exorcist (1973), the film that really kicked off the whole trend nearly half a century ago.  Indeed, the film itself is set in the early 1970s, and everything about it seems linked to the past; one might easily imagine that it was shot in the 1970s, as well. And, of course, it’s based on a true story!

Roger and Carolyn Perron (Ron Livingston and Lili Taylor) and their five daughters move into a crumbling isolated house in the middle of nowhere because it’s the best deal they can get; they don’t have much money, and the house is a real fixer-upper. Having gotten the property from the bank in a foreclosure proceeding for a song, they haven’t really inquired too closely into the house’s past – like, for example, the fact that it has a walled off cellar that apparently no one ever told them about, or that several murders and suicides have taken place on the grounds, but hey – a bargain is a bargain.”

You can read the rest of the by clicking here, or on the image above.

About the Author

Headshot of Wheeler Winston Dixon Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

In The National News

Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at http://news.unl.edu/news-releases/1/ for more details.

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