As the Running Press, which has published Jean Renoir: A Biography in the United States notes of this excellent volume – clocking in at nearly 1,000 pages, but absolutely page-turning in its intensity and incredibly detailed research – “originally published in France in 2012, Pascal Mérigeau’s definitive biography of legendary film director Jean Renoir is a landmark work—the winner of a Prix Goncourt, France’s top literary achievement. Now available in the English language for the first time, Jean Renoir: A Biography, is the definitive study of one of the most fascinating and creative artistic figures of the twentieth century.
The French filmmaker made more than forty films from the silent era to the late ’60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Renoir made acclaimed movies in France, America, India, and Italy and became a writer during the last part of his life. Drawing from unpublished or little known sources, this biography is a completely fresh approach to the maker of Grand Illusion and The Rules of the Game, redefining the very function of the movie director and simultaneously recounting the history of a century.”
Renoir was indeed one of the greatest of all filmmakers, noted for his humanism and his ability to move smoothly from one genre to another without a pause, as well as having a career not only in France, but in the United States in the 1940s at the now defunct studio RKO Radio Pictures, then journeying to India to make the first color film there, The River (1951), before returning to France in the 1950s to make a final group of masterpieces, and eventually settling in California before his death.
Mérigeau’s magisterial biography clearly surpasses all existing writing on Renoir, and it’s amazing that we had to wait four years for this remarkably deft translation by Bruce Benderson – and that the book is only available in paperback. Renoir’s The Rules of the Game (1939) is routinely included in nearly every “ten best films of all time” list, but his other work, especially his work in America, clearly deserves more attention, which Mérigeau ably supplies.
While the publicity materials tout that fact that the book is supposedly the first to examine Renoir’s unfinished Hollywood film The Amazing Mrs. Holiday (1943) - which isn’t true; this has been common knowledge for quite some time – and also makes much of Renoir’s leftist work in France in the mid 1930s, for me the most intriguing sections came on such films as his American noir The Woman on the Beach (1947), which has long been known to have a troubled production history – yet Mérigeau has additional material on this film as well.
I had known that the finished film was sneak previewed to a teenage audience expecting an RKO musical or screwball comedy, and that the resultant debacle led to a savage recut of the film, but Mérigeau has unearthed the fact that the film was actually shot twice to appease both audiences and the censors – the original version, now lost; and the final version, with a different actor in a key role.
So, 2016 ended with a landmark volume on Robert Bresson, another giant of the cinema; now, in the opening days of 2017, we are given a superb – and smoothly translated – life of one of the greatest filmmakers of all time, exploring not only his films, but also his life, and the way in which he viewed the human condition with both the greatest sympathy, as well as a sharply clinical eye.