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Posts Tagged ‘Martin Scorsese’

“Persistence of Vision: Reading the Language of Cinema”

Thursday, April 4th, 2013

Martin Scorsese recently delivered the 2013 Jefferson Lecture in the Humanities entitled “Persistence of Vision: Reading the Language of Cinema” at the Kennedy Center in Washington.

As reported in Dawn.com, Scorsese urged his listeners to preserve our shared cinematic heritage before it disappears, a sentiment which I am in absolute agreement with. As Scorsese noted, “I believe we need to stress visual literacy in schools. Young people need to understand that not all images are out there to be consumed like, you know, fast food and then forgotten. We need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.”

As Dawn.com’s anonymous correspondent added, “to fully comprehend the language of moving images, it is essential to ‘preserve everything’ from blockbusters to home movies by way of films that may not look like works of art on first showing, [Scorsese] said. To prove his point, Scorsese screened a clip from Vertigo – hailed today as a work of genius, but at the time of its release in 1958 regarded as just another in a string of crowd-pleasing Alfred Hitchcock psycho thrillers.

‘[Vertigo] came very very close to being lost to us,’ he said, adding that over time, viewers can identify and appreciate elements in a film that might not be evident upon its initial release. ‘Just as we learned to take pride in our poets and writers, and in jazz and blues, we need to take pride in our cinema, a great American art form. It’s a big responsibility, and we need to say to ourselves that the time has come to look beyond weekend box office numbers and start caring for films as if they were the oldest book in the Library of Congress,’ [Scorsese] said.”

You can the entire article by clicking here, or on the image above.

Five Directors: “How Do You Know If You’re Any Good?”

Wednesday, January 25th, 2012

Here’s a great little clip from the Los Angeles Times‘ Envelope Directors Roundtable series, in which five directors discuss how they evaluate their work on a daily basis, and also what they think of criticism of their work, as moderated by Oliver Gettell.

The directors are Martin Scorsese (Hugo), Michel Hazanavicius (The Artist), Alexander Payne (The Descendants), George Clooney (The Ides of March) and Stephen Daldry (Extremely Loud & Incredibly Close).

Daldry seemingly doesn’t even know how to approach the question; Clooney talks about the difference between being an actor, and being a director, and observes that of reviews, if you get fifty positive notices and one negative one, you’re going to forget all about the praise and focus only on the lone dissenter; Alexander Payne says that he lives with perpetual bi-polarism (“Some days I am Orson Welles. Other days I am the worst loser, impostor, know-nothing, wannabe filmmaker in the world. I believe both with equal conviction”); Hazanavicius thinks that you really can’t judge your work objectively on the set, because who knows what it’s going to look like “four months later in an editing room”; and Scorsese views the whole thing with a certain air of Olympian detachment, observing that “If you read the good [reviews], you might believe those, and if you read the bad ones, you certainly believe those. At a certain point, you’ve got to work.”

You can see the whole clip from the interview– it’s only about 4 minutes long — by clicking here, or on the image above.

Michel Gondry’s 2 Minute Remake of “Taxi Driver”

Sunday, January 15th, 2012

There’s been a lot of talk lately about a possible remake of Martin Scorsese’s masterpiece Taxi Driver (1976). Lars von Trier was attached for a while, then Scorsese even floated the idea of doing a 3-D remake, perhaps just as a whim; but in the meantime, director Michel Gondry has stripped the whole project down to a two minute bare-bones recap, which is at once brilliant and also very funny.

You can view it by clicking here, or on the image above.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of numerous books and more than 70 articles on film and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu.

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National media outlets featured and cited Wheeler Winston Dixon on a number of topics in the past month. Find out more on the website http://newsroom.unl.edu/inthenews/