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Cal Newport’s Book “Deep Work”

Tuesday, November 29th, 2016

Cal Newport’s Deep Work is a book with an important, yet really simple message.

One of the unfortunate by-products of the digital era – and there any many plusses, so don’t get me wrong on this – is that there’s so much noise, so much chatter, so much social media static that sitting down and getting any real, substantial work done is a real challenge. Quentin Tarantino, for example, found it impossible to work on a script on a computer that was wired into the web; so now, he works on a machine that isn’t hooked up to anything, so he can simply concentrate on the task at hand, without the temptation to surf the web every so often, even to check a fact. He can do that later.

The important thing is to keep working, keep writing, and finish whatever it is you’re working on in one continuous blast, and then go back and clean it up later. The late Roger Ebert was an adherent to this philosophy; keep going to the end, and then edit. I do the same thing with my books and articles – I write everything by hand, to avoid the distraction of the web entirely, and then have it typed up, and edit that draft. You’d be surprised at the number of people who do the same thing. It’s one thing to write a book directly on a computer, but it’s much more intimate to simply have yourself, the page, and a pen to work with, and results are often much better.

Newport’s central thesis is essentially “get rid of all distractions, get the work done, find a space where you’ll be left alone, and drill down until it’s finished.” That’s a paraphrase, of course, but it’s the essence of the book. Newport, a computer scientist, is in love with code and Power Point presentations and Excel spread sheets, which many of us are not – myself included – but surprisingly, even though he works in a world of 1s and 0s, his guiding principles work in any area of creative endeavor.

As Newport puts it, “deep work is the ability to focus without distraction on a cognitively demanding task. It’s a skill that allows you to quickly master complicated information and produce better results in less time. Deep work will make you better at what you do and provide the sense of true fulfillment that comes from craftsmanship. In short, deep work is like a super power in our increasingly competitive twenty-first century economy. And yet, most people have lost the ability to go deep—spending their days instead in a frantic blur of e-mail and social media, not even realizing there’s a better way.”

After finishing the book, I wrote Newport discussing this, and he replied “I appreciate the kind words and agree strongly with the premise that Deep Work cuts across many different fields and pursuits,” which is absolutely true. In an era in which superficial click bait and fake news articles proliferate with alarming regularity, it’s nice to come across a book that says, essentially, “you can do better. You can do serious work that will have a real impact. You can do work that has real depth, and it’s the most valuable work to do. All you have to do it create a space for yourself, and your thoughts, and then just keep at it until you’ve got something real down on paper, or on film, or video, or whatever your discipline might be.”

Simply put, Newport provides a solid blueprint for thoughtful, considered creative work – whatever your area of expertise –  and that’s a much needed concept in this age of instant information and immediate gratification. This is, in short, a very useful book, whose central theme can be distilled into this guiding maxim:

Avoid superficial work. Tune the digital world out, and do Deep Work. In the end, it has much more value.

About the Author

Headshot of Wheeler Winston Dixon Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

In The National News

Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at for more details.

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