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One Hour With You

Saturday, August 27th, 2011

Ernst Lubitsch and George Cukor’s One Hour With You (1932) is one of my favorite films, even though its production was rife with internal frictions and difficulties.

As I note in the introduction to the film in Senses of Cinema 56, “One Hour With You is one of Ernst Lubitsch’s most effervescent and sophisticated comedies, and easily ranks up there with the director’s best works, including the sublime Trouble in Paradise (1932) and Ninotchka (1939), but it had one of the most tortuous and complex geneses of any of the director’s works. For in the beginning, the film wasn’t a Lubitsch film at all; it was to be a George Cukor film, and indeed, when the film began shooting, Cukor was in the director’s chair.”

Read the rest of the curious history of this film here.

About the Author

Headshot of Wheeler Winston Dixon Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions.

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Wheeler Winston Dixon has been quoted by Fast Company, The New Yorker, The New York Times, the BBC, CNN, The Christian Science Monitor, US News and World Report, The Boston Globe, Entertainment Weekly, The Los Angeles Times, NPR, The PBS Newshour, USA Today and other national media outlets on digital cinema, film and related topics - see the UNL newsroom at http://news.unl.edu/news-releases/1/ for more details.

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