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Posts Tagged ‘Paramount Pictures’

Fewer Than 400 Theaters Still Run 35mm Film in US

Saturday, January 18th, 2014

As Alexandra Cheney and Andrew Stewart report in Variety, 35mm film is dead, dead, dead.

As Cheney and Stewart note, “The Weinstein Co. recently informed theater owners that its upcoming young adult fantasy Vampire Academy will be released only in a digital format. The move by Weinstein Co. and other distributors to alert theater owners to the change signals the long-awaited fade out for film stock, as the majors shift to digital formats for most releases [. . .] Weinstein Co.’s notice to exhibs comes on the heels of Paramount confirming to Variety that Anchorman 2: The Legend Continues is the last movie it will release on 35mm film.

The move solely to digital was expected. Variety first reported in April that Paramount had run out of print stock. That did not stop the studio from striking 35mm prints for Alexander Payne’s Nebraska.  As for Martin Scorsese’s Paramount-distributed The Wolf of Wall Street, it was shot digitally, with the exception of a few exterior shots, and will be distributed digitally only. Weinstein Co. said that it will not adhere to a digital-only policy going forward, but instead will strike prints when it is commercially viable. The Los Angeles Times was the first to report that Paramount had stopped releasing movies on film.

It’s worth noting however, that there are fewer than 400 locations still playing 35mm prints — most of which are smaller locations.”

For more free articles and videos, visit my website at wheelerwinstondixon.com

Frame by Frame: Hollywood Movie Moguls

Thursday, July 5th, 2012

Click here, or on the image above, to see a brief video on the Hollywood moguls.

I have a new Frame by Frame video out today, directed and edited by Curt Bright, on Hollywood’s movie moguls of the 1930s through the 1960s, and how their era came to an end; it’s part of the work of my book, Death of the Moguls: The End of Classical Hollywood, forthcoming from Rutgers University Press for Fall, 2012.

Death of the Moguls is a detailed assessment of the last days of the “rulers of film,” which examines the careers of such moguls as  Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. The sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn’t imagine a world in which they didn’t reign supreme.

Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Meyer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Death of the Moguls: The End of Classical Hollywood briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s.

I discuss here, and in the book in much more detail, of course, such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.

Barry Keith Grant read several drafts of the book during its production, and wrote that “in this accessible and engaging history of the moguls who made the studios successful [. . .] Dixon does a terrific job of getting inside the heads of the bosses who built their studios into major entertainment factories.”

The book should be out in September, so you can read it for yourself then.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu. Visit him at his website wheelerwinstondixon.com.

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