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Posts Tagged ‘Pre-Digital Culture’

American Smalltown Life in the 1950s — Fantasy and Truth

Thursday, October 20th, 2011

Click on this image to see a 10 minute instructional film on the “idyllic” 1950s.

The atomic bomb, the Cold War, fallout shelters, the Red Scare, the Army-McCarthy hearings, the HUAC — we don’t remember any of the bad stuff about the past. We only remember what we want to remember, or what we’re told to remember, as in the film above.

Here’s a link to an excellent article, The Other American Kitchen: Alternative Domesticity in 1950s Design, Politics, and Fiction by Caroline Hellman, about the ways in which these images of domesticity and comfort are created, and then propagated as a historical record, when in fact, what marked the 1950s more than anything else was conformity. History is nothing more than the version of events that the dominant culture wants us to remember; never forget that. The truth – whatever that might be, and however we might discover it -  is buried in the archives.

There Is Nothing Wrong With Your TV Set

Thursday, October 13th, 2011

“There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission.”

From Imre Szeman’s review of Bourdieu on Television, translated from the French by Priscilla Parkhurst Ferguson. New York, 1998: The New Press, as published in Topia, The Canadian Journal of Cultural Studies.

“It is clear that Bourdieu believes that, when it comes to television, it has become increasingly dificult to accomplish anything that might be seen as intellectually constructive, no matter how carefully one approaches it. Television becomes, in Bourdieu’s analysis of the journalistic field, a field that dominates other fields. Not only does he argue that television has altered the function of the entire journalistic field, forcing the print media to approximate it more and more in form and content, he maintains that television has profoundly challenged the autonomy of all other fields. ‘The most important development, and a difficult one to foresee,’ he writes, ‘was the extraordinary extension of the power of television over the whole of cultural production, including scientific and artistic production.’ Television now holds a virtual monopoly on what today constitutes public space, and, as such, it controls cultural producers’ access to the public.

You can download a pdf of the review here.

You can read the entire text of Bourdieu’s book here.

The Pre-Digital Era

Tuesday, August 30th, 2011

I went camping throughout the United States in the early 1960s, and I remember drifting through one sleepy town after another, usually in the morning or in the late afternoon. The local movie theater would be a hub of activity as the sun set, and people from all over town would gather to see the latest double bills — entire families, not just young adults — as television had only recently been introduced. The movie theater from the 1920s through the 1960s was often a central social gathering place for the residents of many towns — that’s gone today, and everyone is online, at home. Some of the old theaters remain, but the sense of community is gone.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of numerous books and more than 70 articles on film and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu.

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