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Another Amazing Film Archive Looking For A Home

Tuesday, October 28th, 2014

D.A. Pennebaker is looking for a home for his vast archive of films documenting the 1960s.

As Cara Buckley reports in The New York Times, “‘Johnny’s in the basement, mixing up the medicine,’ and a young Bob Dylan, lean of body and scruffy of hair, flips cue cards along to his lyrics as the poet Allen Ginsberg stands off to the side, chatting. This landmark video, for ‘Subterranean Homesick Blues,’ opened the 1967 documentary Don’t Look Back, which became a rock doc classic and also earned the man behind the camera, D. A. Pennebaker, a place in film history.

In the near half-century since, Mr. Pennebaker — the D. A. is for Donn Alan, but he goes by Penny — has made some four dozen documentaries (the vast bulk with Chris Hegedus, his wife and collaborator), inspired the likes of Michael Moore and won an honorary Academy Award. Still actively making films, the couple will receive a lifetime achievement award at DOC NYC next month.

Now Mr. Pennebaker, 89, and Ms. Hegedus, 62, are looking for a new home for their ever-expanding trove: vintage camera equipment, hundreds of file folders and boxes and crates filled with outtakes, correspondence and many, many reels of 16-millimeter films, all of it housed either in their Upper West Side townhouse or an underground, James Bond-like cold-storage warehouse called Iron Mountain, in upstate New York. Among the films made between them: Monterey Pop, Elaine Stritch at Liberty and Depeche Mode 101, which made lasting friends out of Mr. Pennebaker and the boys in that band.

The couple want to keep all of the archive in one spot and, crucially, the footage preserved and intact. Many of the reels include outtakes of noted figures that have never been seen: a strikingly young Richard Avedon at an art show, Janis Joplin wailing at a recording session, Jimi Hendrix playing mournful guitar after the Rev. Dr. Martin Luther King Jr. was shot, Truman Capote working on an unreleased film about death row. ‘You kind of save it all, because you just never know what there is,’ Ms. Hegedus said. ‘You have something that’s deteriorating that’s part of artistic history.’”

More proof that film needs preservation – it’s part of our shared cultural heritage.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. To contact Prof. Dixon for an interview, reach him at 402.472.6064 or wdixon1@unl.edu. Visit him at his website wheelerwinstondixon.com.

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