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Get Yourself A College Girl (1964)

Tuesday, February 28th, 2012

Click here, or on the image above, for a brief clip from Get Yourself A College Girl.

And while we’re on the subject of 60s California pop, here’s a truly amazing film which has just been released on archival DVD — no masterpiece, this, but a wildly disparate cast in a completely nonsensical plot — featuring a truly amazing group of recording artists of the period, all shot in 6 days in glorious Metrocolor.

Get Yourself A College Girl was produced by the legendary “speed artist” Sam Katzman, who had an iron clad rule that no film he produced would take longer than six days to get in the can — until he lengthened his schedules in the late 60s to a lavish 15 days for some of Elvis Presley’s later films — and directed by former child actor Sidney Miller, whose other credits include directing episodes of Get Smart, The Addams Family, The Smothers Brothers Show, My Favorite Martian and even The Mickey Mouse Club.

Mixed into this cinematic stew are Nancy Sinatra, Chad Everett, Hortense Petra (Katzman’s wife, a “good luck” charm in all of his later films), plus musical guests The Standells, The Animals, The Dave Clark Five, jazz organist Jimmy Smith, jazz sax player Stan Getz with vocalist Astrud Gilberto, and a whole lot more, none of it making any sense at all, but featuring that slick, candy-colored sheen that typified California pop music of the era.

As critic Mel Neuhaus noted on the TCM Website, “A curious 1964 hybrid of teen movie musical with pre-feminist overtones as well as a parody of moralistic anti-rock message films, Get Yourself a College Girl is a must-see due to its strange guest-star cast, who help elevate the formula narrative into a near-surreal ’60s happening. The basic plot follows Mary Ann Mobley’s transition from songwriter to a controversial figure in the music industry who’s wooed by a song publisher (Chad Everett) and a politician seeking the youth vote [. . .]

The choice of music guest stars is one of the most freakish conglomerations in any movie musical. Let’s face it – any picture featuring rockers The Dave Clark 5 (Thinking of You Baby, Whenever You’re Around), The Animals (Blue Feeling, Around and Around), and The Standells (Bony Moronie, The Swim) alongside the Jimmy Smith Trio (The Sermon, Comin’ Home Johnny), plus jazz greats Stan Getz and velvet-throated vocalist Astrud Gilberto (doing their cornerstone of ’60s cool, The Girl from Ipanema) has got to be seen (and heard) to be believed.”

It’s a fascinating time capsule of a time long vanished, and worth savoring for the sheer explosion of musical talent on the screen. And, of course, everyone looks like they’re having a lot of fun.

About the Author

Wheeler Winston Dixon

Wheeler Winston Dixon, Ryan Professor of Film Studies at the University of Nebraska-Lincoln, is an internationally recognized scholar and writer of film history, theory and criticism. He is the author of thirty books and more than 100 articles on film, and appears regularly in national media outlets discussing film and culture trends. Frame by Frame is a collection of his thoughts on a number of those topics. All comments by Dixon on this blog are his own opinions. To contact Prof. Dixon for an interview, reach him at or

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