As Scott Mendelson writes in Forbes, “The Hollywood Reporter is, uh, reporting that director Michelle MacLaren has left Wonder Woman. The usual ‘creative differences’ are being offered as the reason, and I’m sure there will be more details in the coming days. Her coming aboard the project was something of a big deal last December, as it would have been the first time that a female director had been handed the reins to a major comic book/superhero blockbuster title. And no, I’m not forgetting Lexi Alexander, who helmed the $30m R-rated Punisher: War Zone for Lionsgate back in 2008, but I think she’d be the first to tell you it’s not entirely the same thing. Nonetheless, as of moments ago, MacLaren has dropped out of the project, leaving its future, or at least its June 23rd, 2017 release date, in potential jeopardy [. . .]
As you recall, Marvel brought on Patti Jenkins (Monster) to helm Thor: The Dark World, but she and Marvel quickly parted ways and she was replaced by television director (Mad Men, Homicide: Life of the Street, Game of Thrones) Alan Taylor, who it should be noted did just fine with the fantasy sequel. Couple that with Catherine Hardwicke, who directed the first Twilight to blockbuster success only to part ways with the franchise and have the other four installments be directed by men, and Sam-Taylor Johnson, who directed Fifty Shades of Grey to $565m+ worldwide success only to leave the project, presumably over clashes with original author E.L. James, and we have what I would argue is a statistically improbable pattern of female directors either not making it to the finish line with high profile projects or not making it to the sequel when the finished film becomes a blockbuster.
The so-called glass ceiling for female directors helming major studio pictures is thick enough that an exception to the rule qualifies as news whenever it occurs. Without speculating about what said creative differences there might have been, one can hope that this doesn’t further the myth that female filmmakers can’t handle big-scale studio tent poles. For the sake of the project and for everything else involved in this now knotty situation, I can certainly hope that Warner Bros. doesn’t back down from its original intentions and find a female director as a replacement. Yes, it may be tokenism, and yes it may be about ‘the principle.’ But considering how hard it is for female filmmakers to get their foot in the door in comparison to their male peers, the worst thing that can happen for the perception of the project is for a male director to take over for MacLaren.
In the meantime, Michelle MacLaren is now available in case Marvel wants her for Captain Marvel. Otherwise, there are plenty of other talented female filmmakers who could use the gig and the profile boost. Beyond that, whatever ‘deep thoughts’ I might have about this will have to wait at least until we get a little more information. But come what may, this is frankly terrible news.”